De profundis: Récit. "De profundis clamavi"Michel Richard Delalande, Orchestre des Jeunesses musicales de France, Louis Martini, Louis Noguera, Chorale des Jeunesses Musicales de France
De profundis: Quatuor. "Fiant aures Tuae"Michel Richard Delalande, Orchestre des Jeunesses musicales de France, Louis Martini, Jean Giraudeau, Jeanine Collard, Martha Angelici, Jacqueline Cellier
De profundis: Récit. "Si iniquitates observaveris Domine"Michel Richard Delalande, Orchestre des Jeunesses musicales de France, Louis Martini, Louis Noguera
De profundis: Trio. "Quia apud te propriatio est"Michel Richard Delalande, Orchestre des Jeunesses musicales de France, Louis Martini, Jacqueline Cellier, Louis Noguera, Jeanine Collard
De profundis: Récit. "Sustinuit anima mea"Michel Richard Delalande, Orchestre des Jeunesses musicales de France, Louis Martini, Martha Angelici
De profundis: Petit chœur. "Sustinuit anima mea"Michel Richard Delalande, Orchestre des Jeunesses musicales de France, Louis Martini, Chorale des Jeunesses Musicales de France
De profundis: Récit. "A custodia"Michel Richard Delalande, Orchestre des Jeunesses musicales de France, Louis Martini, Jean Giraudeau
De profundis: Chœur. "A custodia"Michel Richard Delalande, Orchestre des Jeunesses musicales de France, Louis Martini, Chorale des Jeunesses Musicales de France
De profundis: Récit. "Quia apud Dominum"Michel Richard Delalande, Orchestre des Jeunesses musicales de France, Louis Martini, Jean Giraudeau
De profundis: Chœur. "Et ipse redimet Israel" - "Requiem aeternam"Michel Richard Delalande, Orchestre des Jeunesses musicales de France, Louis Martini, Chorale des Jeunesses Musicales de France
De profundis: Chœur. "Et lux perpetua"Michel Richard Delalande, Orchestre des Jeunesses musicales de France, Louis Martini, Chorale des Jeunesses Musicales de France
Dies irae, LWV 64/1: Dies irae, dies illaJean-Baptiste Lully, Orchestre des Jeunesses musicales de France, Louis Martini, Louis Noguera, Chorale des Jeunesses Musicales de France
Dies irae, LWV 64/1: Mors stupebitJean-Baptiste Lully, Orchestre des Jeunesses musicales de France, Louis Martini, Louis Noguera, Chorale des Jeunesses Musicales de France
Dies irae, LWV 64/1: Quid sum miserJean-Baptiste Lully, Orchestre des Jeunesses musicales de France, Louis Martini, Jeanine Collard, Chorale des Jeunesses Musicales de France, Louis Noguera
Dies irae, LWV 64/1: Ingemisco tanquam meusJean-Baptiste Lully, Orchestre des Jeunesses musicales de France, Louis Martini, Martha Angelici, Jeanine Collard, Jean Giraudeau, Louis Noguera, Chorale des Jeunesses Musicales de France
Dies irae, LWV 64/1: Confutatis maledictisJean-Baptiste Lully, Orchestre des Jeunesses musicales de France, Louis Martini, Chorale des Jeunesses Musicales de France, Jeanine Collard, Louis Noguera, Jean Giraudeau
Dies irae, LWV 64/1: Ora supplex et acclinis - LacrimosaJean-Baptiste Lully, Orchestre des Jeunesses musicales de France, Louis Martini, Martha Angelici, Jeanine Collard, Jean Giraudeau, Louis Noguera
Dies irae, LWV 64/1: Judicandus homo reusJean-Baptiste Lully, Orchestre des Jeunesses musicales de France, Louis Martini, Chorale des Jeunesses Musicales de France, Louis Noguera, Jeanine Collard
Dies irae, LWV 64/1: Symphonie - Pie JesuJean-Baptiste Lully, Orchestre des Jeunesses musicales de France, Louis Martini, Jean Giraudeau, Jeanine Collard, Chorale des Jeunesses Musicales de France
Immerse yourself in the hauntingly beautiful world of sacred music with Martha Angelici's "De Lalande: De profundis - Lully: Dies irae." Released in 1956 under the BNF Collection label, this album is a captivating blend of opera and Gregorian chant, spanning a total of 51 minutes.
The album is divided into two main sections, each showcasing the works of renowned composers Michel-Richard Delalande and Jean-Baptiste Lully. The first part, "De profundis," is a profound and introspective exploration of Delalande's choral masterpiece, featuring a variety of vocal groupings from solo recitatives to full choir pieces. Angelici's powerful and expressive voice brings a sense of depth and solemnity to these timeless compositions.
The second part of the album, "Dies irae," presents Lully's dramatic and intense setting of the traditional Latin text. Angelici's operatic prowess shines through in these pieces, as she navigates the complex and emotive melodies with remarkable skill and artistry.
Throughout the album, Angelici's voice is a constant source of fascination, her technical precision and emotional resonance making each track a memorable experience. Whether you're a fan of classical music, opera, or Gregorian chant, this album offers a unique and enriching listening experience that is sure to leave a lasting impression.
Vinylscout