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    2. Albums
    3. deutsche barockmusik: serie b. klavier, orgel und laute - samuel scheidt

    Deutsche Barockmusik: Serie B. Klavier, Orgel und Laute

    Samuel ScheidtSamuel Scheidt
    • 1959
    • 6 tracks
    • 48 min
    Deutsche Barockmusik: Serie B. Klavier, Orgel und Laute - Samuel Scheidt

    Album Description

    Immerse yourself in the rich tapestry of Baroque music with Samuel Scheidt's "Deutsche Barockmusik: Serie B. Klavier, Orgel und Laute." Released in 1959, this album is a testament to Scheidt's mastery of the keyboard and organ, showcasing his intricate compositions and virtuosic playing. The album features a selection of Scheidt's works from his "Tabulatura nova" collection, including hymns, psalms, and fantasias that highlight the composer's innovative use of counterpoint and harmony.

    Scheidt, a prominent figure in the German Baroque era, was known for his skillful integration of Italian and German musical styles. His compositions, as heard on this album, reflect his deep understanding of both traditions, resulting in a unique and captivating sound. The album's duration of 48 minutes offers a substantial exploration of Scheidt's musical genius, making it an excellent choice for both casual listeners and Baroque music enthusiasts.

    The tracks on this album span a variety of moods and tempos, from the contemplative "Psalmus. Da Jesus an dem Creutze stundt" to the lively "Modus ludendi pleno organo pedaliter." Each piece is performed with precision and passion, bringing Scheidt's music to life in a way that is both historically accurate and engaging for modern listeners. Whether you're a fan of Baroque music or simply appreciate beautiful, well-crafted compositions, this album is sure to delight.

    1959 - BNF Collection 20151959 - BNF Collection 2015

    Tracks

    1. Tabulatura nova, pt. 1: No. 12, Psalmus. Da Jesus an dem Creutze stundtSamuel Scheidt, Michael Schneider
    2. Tabulatura nova, pt. 1: No. 13, Fantasia super Ich ruffe zu dir Herr Jesu ChristSamuel Scheidt, Michael Schneider
    3. Tabulatura nova, pt. 2: No. 7, Hymnus. Christe qui lux est et diesSamuel Scheidt, Michael Schneider
    4. Tabulatura nova, pt. 3: No. 19, Modus ludendi pleno organo pedaliterSamuel Scheidt, Michael Schneider
    5. Tabulatura nova, pt. 3: No. 1, Kyrie domincale in quarti toni - With Plainchant AlternationSamuel Scheidt, Michael Schneider, Schola aus Studierenden der Staatlichen Hochschule für Musik Freiburg im Breisgau, Herbert Froitzheim
    6. Tabulatura nova, pt. 3: No. 20, Benedicamus Domino, modus pleno organo pedaliterSamuel Scheidt, Michael Schneider
    PLAY ON SPOTIFY

    About Samuel Scheidt

    Samuel Scheidt, a pioneering figure of the early Baroque era, was a German composer, organist, and teacher whose influence resonates through the centuries. Born in Halle in 1587, Scheidt's musical journey began with local instruction before he traveled to Amsterdam to study under the renowned Jan Pieterszoon Sweelinck. This formative period shaped his unique style, blending European influences into a distinctive German Baroque sound. Returning to Halle, Scheidt served as organist at the Moritzkirche and later as chapelmaster, leaving an indelible mark on the city's musical landscape. His compositions, ranging from organ suites and chorale preludes to vocal works, showcase his mastery of counterpoint and concerto style, making him a seminal figure in the development of German organ music. Scheidt's legacy endures, inspiring generations of composers and musicians, and his works continue to captivate audiences with their timeless beauty and innovation.

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    Samuel Scheidt

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