Immerse yourself in the captivating world of Sophie-Carmen Eckhardt-Gramatté's piano sonatas with this comprehensive collection of her six piano sonatas, performed by the acclaimed pianist Sophie-Carmen Eckhardt-Gramatté. Released on Centrediscs in 2012, this album spans nearly two hours of intricate and expressive piano music, showcasing Eckhardt-Gramatté's unique compositional voice.
The six sonatas, each with its own distinct character and narrative, take the listener on a journey through a variety of musical landscapes. From the stormy seas of "Biscaya" in the second sonata to the playful and grotesque rhythms of the fifth sonata's "Klavierstücke," Eckhardt-Gramatté's compositions are both technically demanding and deeply expressive.
The fourth sonata, "Befreite," is particularly notable for its dramatic and fiery opening movement, followed by a tender nocturne and a whimsical "corrida de ratas del campo." The sixth sonata, "3 Klavierstücke," offers a unique challenge with its movements for the left hand alone, the right hand alone, and finally, both hands together.
This album is a testament to Eckhardt-Gramatté's mastery of the piano sonata form and her ability to create vivid and engaging musical narratives. Whether you're a seasoned classical music enthusiast or a newcomer to the genre, this collection offers a rich and rewarding listening experience.
2012 Centrediscs2012 Centrediscs
Tracks
Piano Sonata No. 1, E45: I. Allegro moderatoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 1, E45: II. AndanteSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 1, E45: III. AllegroSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 2, E46, "Biscaya": I. Landscape: Lento ma non troppoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 2, E46, "Biscaya": II. Storm: Allegro resolutoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 2, E46, "Biscaya": III. Lonesome Biscaya after storm: AndanteSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 2, E46, "Biscaya": IV. Final (el Puerto): AllegroSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 3, E52: I. Lento: Allegro ma non troppoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 3, E52: II. Landlicher tanz (Rondo): Vivo e marcatoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 3, E52: III. Kronung: Largo sostenutoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 3, E52: IV. Spanischer tanz (Villa rosa): Lebhaft rhythmischSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 4, E68, "Befreite": I. Allegro agitato e con fuocoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 4, E68, "Befreite": II. Nocturne. LentoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 4, E68, "Befreite": III. La corrida de ratas del campo: Prestissimo e molto precisoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 4, E68, "Befreite": IV. PrecisoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 5, E126, "Klavierstucke": I. Massig, jedoch lustiges Tempo, grotesk, rhythmisch - II. Ruhiger, frei fantasierend, klangsinnlich und nicht schleppendSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 5, E126, "Klavierstucke": III. Vivo ma non troppoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 6, E130, "3 Klavierstücke": I. For the left hand alone: Prestissimo e molto precisoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 6, E130, "3 Klavierstücke": II. For the right hand alone: Lustig und mit WitzSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin
Piano Sonata No. 6, E130, "3 Klavierstücke": III. For both hands: Vivo assai e marcatoSophie-Carmen Eckhardt-Gramatté, Marc-André Hamelin