Dive into the intricate and captivating world of Renaissance music with Andrew Lawrence-King's "El arte de fantasía: Luis Venegas de Henestrosa." This exquisite album, released on November 4, 2005, under the Harmonia Mundi label, offers a rich tapestry of Spanish romances, French chansons, popular dances, and polyphonic fantasias, all meticulously curated and performed by Andrew Lawrence-King and members of The Harp Consort. The album spans a generous 68 minutes, featuring 27 tracks that showcase the sophisticated art of improvisation documented by Luis Venegas de Henestrosa in his "Libro de cifra nueva" (1557).
The album is a fascinating glimpse into the musical life at the court of Charles V, featuring a blend of medieval and Celtic influences. Highlights include the intricate "Fuga a 40 'Unum colle Deum'," the haunting "Canción 'Míralo cómo llora'," and the lively "Diferencias sobre 'la Gallarda Milanesa'." Andrew Lawrence-King's mastery of historical performance practices shines through in each track, providing an authentic and immersive listening experience. Whether you're a seasoned enthusiast of early music or a curious newcomer, this album is sure to enchant and inspire.
2004 harmonia mundi usa2004 harmonia mundi usa
Tracks
Entrada (improvised after Henestrosa & Cabezón)Luis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Tres sobre el canto Ilano de "La alta"Luis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Canción del Emperador "Mille regres"Luis de Narváez, Andrew Lawrence-King, The Harp Consort
Canción "Demandez vous"Luis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Entrada. Canción: "Je vous"Anonymous, Luis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Tiento para harpa u órganoAlonso Mudarra, Andrew Lawrence-King, The Harp Consort
Tiento sobre. "la Pavana real"Enríquez de Valderrábano, Andrew Lawrence-King, The Harp Consort
Soneto a manera de dançaEnríquez de Valderrábano, Andrew Lawrence-King, The Harp Consort
Romance: Diferencias sobre "Conde Claros"Enríquez de Valderrábano, Luis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Pavana con su glosa (improvised after Henestrosa)Luis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Canción "Mundo, qué me puedes dar?"Luis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Diferencias sobre "la Gallarda Milanesa"Antonio de Cabezón, Andrew Lawrence-King, The Harp Consort
Fuga a 40 "Unum colle Deum"Luis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Canción "Míralo cómo llora"Luis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Para discantarEnríquez de Valderrábano, Andrew Lawrence-King, The Harp Consort
Romance "De los álamos vengo, madre"Juan Vásquez, Andrew Lawrence-King, The Harp Consort
Baxa de contrapuntoLuis de Narváez, Andrew Lawrence-King, The Harp Consort
Tiento XVIIILuis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Canto Ilano (Plainchant)Anonymous, Andrew Lawrence-King, The Harp Consort
DuoAntonio de Cabezón, Andrew Lawrence-King, The Harp Consort
TresLuis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Himno a 4Luis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Himno de canto illanoLuis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Diferencias sobre "Guárdame las vacas"Luis de Narváez, Luis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Romance "Paseábase el rey moro"Luis de Narváez, Andrew Lawrence-King, The Harp Consort
Pasebase glosadoLuis Venegas de Henestrosa, Andrew Lawrence-King, The Harp Consort
Final (improvised after Mudarra, Cabezón & Henestrosa)Alonso Mudarra, Andrew Lawrence-King, The Harp Consort