El Tigre

Barney Kessel's 1957 release, El Tigre, is a masterclass in jazz virtuosity. This 29-minute album is a succinct yet captivating showcase of Kessel's skill as a guitarist, navigating the complexities of cool jazz, bebop, and hard bop with ease.

The tracklist is a carefully curated selection of jazz standards, including the iconic 'Lullaby Of Birdland', 'Tea For Two', and 'Body & Soul'. Kessel's interpretation of these classics is both respectful and innovative, injecting his own unique style into each performance. The album's original compositions, such as the titular 'El Tigre' and 'Cheeta's For Two', demonstrate Kessel's talent as a composer, with intricate melodies and rhythms that showcase his technical prowess.

With its diverse range of genres and moods, El Tigre is an album that will appeal to fans of jazz in all its forms. From the laid-back swing of 'East Of The Sun' to the intense energy of 'The Cobra', Kessel's playing is consistently impressive, making this album a must-listen for anyone interested in the jazz genre. Released on Charlie Parker Records on 12 January 1957, El Tigre remains a seminal work in Barney Kessel's discography, and its influence can still be felt today.

Barney Kessel, born in Muskogee, Oklahoma, in 1923, was a virtuoso jazz guitarist whose career spanned over five decades, establishing him as one of the most influential figures in jazz history. Known for his chordal style and harmonic improvisation, Kessel's mastery of the guitar was evident from a young age, practicing up to 16 hours a day. He was a key figure in the bebop and cool jazz scenes, playing with legendary musicians like Charlie Parker and Chico Marx. Kessel's versatility extended beyond jazz; he was also a highly sought-after session musician, contributing to numerous film and television soundtracks as a member of the renowned "Wrecking Crew." His innovative approach to the guitar and his lyrical voice on the instrument made him a favorite in polls throughout the 1950s. Kessel's extensive discography and influence on other guitarists cement his legacy as a true master of the electric guitar in jazz.