Markus Stockhausen's "Electric Treasures" is a captivating live recording that captures the essence of an avant-garde jazz performance in Bonn, Germany. Released in 2008 under the Aktivraum label, this album is a testament to Stockhausen's innovative approach to jazz, blending elements of electronic music and improvisation. With a runtime of 90 minutes, the album features eleven tracks, each titled "Electric Treasures" followed by a number, reflecting the cohesive and exploratory nature of the live set.
Stockhausen, known for his work with ECM and collaborations with his son Simon Stockhausen, brings a unique perspective to the genre, drawing influences from Miles Davis' "Bitches Brew" and other groundbreaking works. The album showcases his mastery of the trumpet and flugelhorn, alongside electronic textures and rhythms that create a dynamic and immersive soundscape. "Electric Treasures" is not just a collection of songs but a journey through the boundaries of jazz, pushing the limits of what the genre can encompass. Fans of avant-garde and experimental music will find this album to be a compelling addition to their collection.
Markus Stockhausen is a versatile German trumpeter and composer who seamlessly blends the worlds of jazz and classical music. Born into a musical legacy, being the son of the renowned composer Karlheinz Stockhausen, Markus has carved out his own unique path in the avant-garde genre. His discography is a testament to his eclectic tastes, featuring collaborations with esteemed musicians and ensembles, such as pianist Florian Weber and the Metropole Orkest. Markus's performances often showcase his prowess on both the trumpet and flugelhorn, delivering intricate and emotive solos that captivate audiences. Beyond his solo work, he has also contributed to his father's compositions, notably performing the challenging trumpet part in "Aries." Markus is also the initiator of the "LONGTONESFORPEACE" initiative, using his music to promote peace and unity across Germany. His music is not just about listening; it's about experiencing the depth and breadth of his artistic vision.
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