"Electro Acoustic Music, Vol. V" by Pauline Oliveros is a captivating exploration of sound and texture, released on June 1, 1996, under the Soundset label. This album is a testament to Oliveros' pioneering work in the realms of drone, avant-garde, minimalism, ambient, and experimental music. Spanning a duration of 1 hour and 6 minutes, it offers a rich and immersive journey through nine distinct tracks, each with its own unique sonic landscape.
From the intricate soundscapes of "Projection Esemplastic for White Noise" to the haunting melodies of "And a Voice Was Heard in Rama," Oliveros masterfully blends electronic and acoustic elements to create a cohesive and engaging listening experience. The album's minimalist approach allows for a deep appreciation of the subtle nuances and textures that define each piece. Tracks like "Topologies / Surfaces / Oblique Angles / Installed Parameters" and "Sherds of Five" showcase Oliveros' ability to manipulate sound in innovative ways, while "Pine, Bamboo, Plum" offers a more meditative and serene interlude.
"Electro Acoustic Music, Vol. V" is a compelling addition to Pauline Oliveros' extensive discography, highlighting her contributions to experimental music and her enduring influence on the genre. Whether you're a longtime fan or new to her work, this album offers a rich and rewarding exploration of sound that is sure to captivate and inspire.