Scenes from the Saga of King Olaf, Op. 30, Introduction: There is a wondrous book (Chorus, Bass, Soprano, Tenor)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Emily Birsan, Barry Banks, Alan Opie, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Introduction: I. Summon now the God of Thunder (Bass)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Alan Opie, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, The Challenge of Thor: II. Chorus. 'I am the God Thor'. Moderato - Molto maestosoEdward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, King Olaf's Return: III. And King Olaf heard the cry (Tenor)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Barry Banks, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, King Olaf's Return: IV. Tell how Olaf bore the Cross (Bass)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Alan Opie, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, The Conversion: V. King Olaf's prows at Nidaros (Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, The Conversion: V. Behold me, my people, and answer and say (Tenor, Bass, Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Barry Banks, Alan Opie, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, The Conversion: V. As leap the lights of winter (Bass, Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Alan Opie, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, The Conversion: V. Then o'er the blood-stained Horg-stone (Tenor, Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Barry Banks, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, The Conversion: VI. Now the child of Ironbeard dead (Bass)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Alan Opie, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Gudrun: VII. On King Olaf's bridal night (Soprano, Tenor, Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Emily Birsan, Barry Banks, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Gudrun: VIII. How the Wraith of Odin old (Bass)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Alan Opie, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, The Wraith of Odin: IX. The guests were loud, the ale was strong (Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, The Wraith of Odin: X. Sisters, sing ye now the song (Bass)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Alan Opie, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Sigrid: XI. Sigrid sits in her high abode (Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Sigrid: XI. Sigrid, hail! with royal hand (Tenor, Soprano, Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Emily Birsan, Barry Banks, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Sigrid: XII. Hark! she flies from Wendeland forth (Bass)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Alan Opie, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Thyri: XIII. A little bird in the air (Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Thyri: XIV. The gray land breaks to lively green (Soprano)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Emily Birsan, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Thyri: XIV. Thyri, my beloved (Tenor, Soprano)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Emily Birsan, Barry Banks, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Thyri: XV. After Queen Gunhild's death (Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, The Death of Olaf: XVI. King Olaf's dragons take the sea (Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Epilogue: XVII. In the convent of Drontheim (Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Epilogue: XVIII. It is accepted (Soprano, Tenor, Bass, Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Emily Birsan, Barry Banks, Alan Opie, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Sir Andrew Davis
Scenes from the Saga of King Olaf, Op. 30, Epilogue: XIX. Stronger than steel (Soprano, Tenor, Bass, Chorus)Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Emily Birsan, Barry Banks, Alan Opie, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Sir Andrew Davis
The Banner of Saint George, Op. 33, Scene 1: Within Sylenë's walls no sound is heardEdward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
The Banner of Saint George, Op. 33, Scene 1: The women of Sylenë rend their hairEdward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
The Banner of Saint George, Op. 33, Scene 1: Forth from the palace, beautiful as dayEdward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
The Banner of Saint George, Op. 33, Scene 1: O calm your hearts, she cries, O still your fearsEdward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
The Banner of Saint George, Op. 33, Scene 2: Without a fear beside the dragon's tarnEdward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
The Banner of Saint George, Op. 33, Scene 2: Hark! 'tis the ringing hoof of steedEdward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
The Banner of Saint George, Op. 33, Scene 2: Loud cry the people, Hate! the dragon comes!Edward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
The Banner of Saint George, Op. 33, Epilogue: It comes from the misty agesEdward Elgar, Andrew Davis, Bergen Philharmonic Orchestra, Bergen Philharmonic Choir, Choir of Collegiûm Mûsicûm, Edvard Grieg Kor, Håkon Matti Skrede, Sir Andrew Davis
Dive into the rich tapestry of Edward Elgar's choral mastery with this captivating album, featuring two of his most celebrated secular cantatas. "Scenes from the Saga of King Olaf, Op. 30" is a grand orchestral work that brings to life the dramatic saga of King Olaf, blending powerful choruses, solo vocals, and lush orchestration to create a vivid musical narrative. This epic piece is a testament to Elgar's ability to weave intricate stories through music, showcasing his deep understanding of both vocal and instrumental textures.
Complementing this monumental work is "The Banner of Saint George, Op. 33," a choral ballad that became one of Elgar's most popular works during his lifetime. This piece, known for its efficiency and strong choral writing, tells the tale of a princess's noble sacrifice and the heroic deeds of Saint George. The work's limited forces add to its charm, making it a standout piece in Elgar's repertoire.
Recorded by Chandos in 2015, this album features a stellar cast of vocalists, including soprano Emily Birsan, tenor Barry Banks, and baritone Alan Opie, alongside the Bergen Philharmonic Orchestra. The recording captures the essence of a successful live performance, offering listeners an immersive experience of Elgar's choral and orchestral genius. With a duration of 1 hour and 52 minutes, this album is a comprehensive exploration of Elgar's secular choral works, perfect for both seasoned classical enthusiasts and those new to the composer's music.
2015 Chandos Records2015 Chandos Records
About Edward Elgar
Sir Edward William Elgar, 1st Baronet, stands as one of the most celebrated English composers, renowned for his contributions to the classical music repertoire. Born in the picturesque countryside of Lower Broadheath near Worcester in 1857, Elgar's life and works are deeply rooted in the romantic traditions of the late 19th century. His compositions, which include the iconic Enigma Variations, the triumphant Pomp and Circumstance Marches, and the deeply moving The Dream of Gerontius, have earned him a place among the greats of British music. Elgar's ability to blend emotional depth with technical brilliance has made his works staples in concert halls around the world. Beyond his orchestral masterpieces, Elgar also composed choral works, chamber music, and songs, showcasing his versatility and mastery of various musical forms. Appointed Master of the King's Musick in 1924, Elgar's legacy continues to inspire and captivate audiences, solidifying his status as a pivotal figure in the history of classical music.
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