"Everything in Stages" is a captivating journey into the avant-garde and free jazz realms, masterfully crafted by Canadian pianist Paul Plimley. Released on March 4, 1996, under the Songlines label, this album is a testament to Plimley's innovative spirit and musical prowess. Spanning a total of 63 minutes, the 15-track collection is a sonic exploration that pushes the boundaries of traditional jazz, offering a rich and textured listening experience.
The album features a stellar lineup, with Paul Plimley on piano, Henry Kaiser on guitar and bass guitar, and Danielle DeGruttola on cello. The collaboration between these talented musicians results in a dynamic and engaging sound that is both intricate and accessible. Recorded in two sessions in October 1996 and November 1997, "Everything in Stages" showcases the artists' ability to blend improvisation with structured composition, creating a unique and compelling musical narrative.
From the opening track "Your Head is Now a Drum" to the closing notes of "Further in the Drum," the album is a journey through a variety of moods and textures. Each track offers a distinct sonic landscape, from the introspective "Shards From a Future Melancholy" to the playful "Kicks 'n Boogie" and the ethereal "Select Magical Skyfall." Plimley's piano work is particularly noteworthy, showcasing his ability to blend classical influences with avant-garde sensibilities.
"Everything in Stages" is not just an album; it's an experience. It's a testament to Paul Plimley's unique vision and his ability to push the boundaries of jazz. Whether you're a seasoned jazz enthusiast or a curious newcomer, this album offers a rich and rewarding listening experience that is sure to captivate and inspire.
Paul Plimley was a pioneering figure in the Canadian jazz avant-garde, renowned for his virtuosic skills on the piano and vibraphone. Born in 1953, Plimley's musical journey was marked by his deep understanding of both classical music and a wide array of jazz styles. He was particularly celebrated for his interpretations of Ornette Coleman's music, being one of the first pianists to convincingly bring Coleman's innovative compositions to life.
As a co-founder of the New Orchestra Workshop Society, Plimley played a pivotal role in fostering the growth of experimental music in Canada. His collaborations, notably with bassist Lisle Ellis, produced some of the most compelling works in free jazz. Plimley's discography is a testament to his artistic vision, featuring solo works and ensemble pieces that showcase his unique approach to composition and improvisation. Albums like "Ivory Ganesh Meets Doctor Drums" and "Safe Crackers" highlight his ability to create cohesive and engaging musical experiences, even with tracks that vary significantly in length. Plimley's legacy endures as a beacon of creativity and innovation in the world of jazz.
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