falla: el amor brujo & el retablo de maese pedro - manuel de falla
Falla: El amor brujo & El retablo de maese Pedro
Manuel de Falla
2019
26 tracks
1 uur, 1 min
Album Description
Immerse yourself in the enchanting world of Spanish music with Manuel de Falla's "Falla: El amor brujo & El retablo de maese Pedro." This captivating album, released on May 10, 2019, under the Naxos label, showcases the brilliance of one of Spain's most celebrated composers. The album spans a total of 61 tracks, divided into two main works: "El amor brujo" and "El retablo de maese Pedro."
"El amor brujo," composed in 1915, is a ballet based on a story of love and supernatural intrigue. The ballet unfolds in two scenes, each filled with vivid imagery and dramatic intensity. The first scene introduces the haunting tale of a young woman tormented by the ghost of a faithless lover, while the second scene escalates the drama with scenes of terror and magical rituals. The music is a rich tapestry of Spanish folk melodies and modernist harmonies, creating an atmosphere that is both exotic and deeply moving.
"El retablo de maese Pedro," on the other hand, is a one-act opera that tells the story of a puppet show performed by Maese Pedro and his assistant. The opera is a delightful blend of music, storytelling, and theater, featuring a variety of characters and scenes that bring the puppet show to life. The music is lively and colorful, with a strong rhythmic drive that captures the energy and excitement of the puppet show.
Conductor Angel Gil-Ordonez leads a brilliant performance that brings out the full richness and depth of Falla's music. The album is a testament to Falla's genius as a composer and his ability to create music that is both deeply rooted in Spanish tradition and innovatively modern. Whether you are a fan of classical music, Spanish music, or simply looking for a captivating listening experience, this album is sure to delight and inspire.
2019 Naxos2019 Naxos
Tracks
El amor brujo, Scene I (1915 Version): No. 1, Introducción y escenaManuel de Falla, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene I (1915 Version): No. 2, Canción del amor dolidoManuel de Falla, Esperanza Fernández, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene I (1915 Version): No. 3, SortilegioManuel de Falla, Esperanza Fernández, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene I (1915 Version): No. 4, Danza del fin del díaManuel de Falla, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene I (1915 Version): No. 5, Escena [El amor vulgar]Manuel de Falla, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene I (1915 Version): No. 6, Romance del pescadorManuel de Falla, Esperanza Fernández, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene I (1915 Version): No. 7, Intermedio [Pantomima in ballet]Manuel de Falla, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene II (1915 Version): No. 8, Introducción [El fuego fatuo]Manuel de Falla, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene II (1915 Version): No. 9, Escena [El terror]Manuel de Falla, Esperanza Fernández, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene II (1915 Version): No. 10, Danza del fuego fatuoManuel de Falla, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene II (1915 Version): No. 11, Interludio [Alucinaciones]Manuel de Falla, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene II (1915 Version): No. 12, Canción del fuego fatuoManuel de Falla, Esperanza Fernández, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene II (1915 Version): No. 13, Conjuro para reconquistar el amor perdidoManuel de Falla, Esperanza Fernández, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene II (1915 Version): No. 14, Escena [El amor popular]Manuel de Falla, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene II (1915 Version): No. 15, Danza y canción de la bruja fingidaManuel de Falla, Esperanza Fernández, Perspectives Ensemble, Angel Gil-Ordóñez
El amor brujo, Scene II (1915 Version): No. 16, Final [Las campanas de amanecer]Manuel de Falla, Esperanza Fernández, Perspectives Ensemble, Angel Gil-Ordóñez
El retablo de maese Pedro: Vengan, vengan a ver vuesas mercedesManuel de Falla, Jorge Garza, Perspectives Ensemble, Angel Gil-Ordóñez
El retablo de maese Pedro: Siéntense todosManuel de Falla, Jorge Garza, Jennifer Zetlan, Perspectives Ensemble, Angel Gil-Ordóñez
El retablo de maese Pedro: Ahora verán vuesas mercedes cómo el Emperador Carlo MagnoManuel de Falla, Jennifer Zetlan, Perspectives Ensemble, Angel Gil-Ordóñez
El retablo de maese Pedro: Ahora veréis la torre del Alcázar de ZaragozaManuel de Falla, Jennifer Zetlan, Perspectives Ensemble, Angel Gil-Ordóñez
El retablo de maese Pedro: Miren luego vuesas mercedes cómo llevan al moro a la plaza de la ciudadManuel de Falla, Jennifer Zetlan, Alfredo Garcia, Jorge Garza, Perspectives Ensemble, Angel Gil-Ordóñez
El retablo de maese Pedro: Miren ahora a Don GayferosManuel de Falla, Jennifer Zetlan, Perspectives Ensemble, Angel Gil-Ordóñez
El retablo de maese Pedro: Ahora veréis a la hermosa MelisendraManuel de Falla, Jennifer Zetlan, Perspectives Ensemble, Angel Gil-Ordóñez
El retablo de maese Pedro: Vais en paz, oh par sin par de verdaderos amantesManuel de Falla, Jennifer Zetlan, Jorge Garza, Alfredo Garcia, Perspectives Ensemble, Angel Gil-Ordóñez
El retablo de maese Pedro: Miren cuánta y cuán lucida caballería sale de la ciudadManuel de Falla, Jennifer Zetlan, Alfredo Garcia, Perspectives Ensemble, Angel Gil-Ordóñez
El retablo de maese Pedro: Non fuyades, cobardes, malandrines y viles criaturasManuel de Falla, Alfredo Garcia, Jorge Garza, Perspectives Ensemble, Angel Gil-Ordóñez
Manuel de Falla, born in Cádiz, Spain, in 1876, is celebrated as one of Spain's most significant composers of the 20th century. Alongside contemporaries like Isaac Albéniz and Enrique Granados, Falla's work is pivotal in Spanish classical music. Though his output was relatively modest, his compositions are profound and deeply rooted in Spanish musical traditions. Falla's genius lies in his ability to capture the spirit of his native land without directly using folk melodies, creating a unique and enduring musical legacy. His compositions span various styles, from romantic Spanish nationalism to avant-garde, reflecting his innovative approach to music. Falla's life and work took him from Spain to Argentina, where he passed away in 1946, leaving behind a rich tapestry of music that continues to inspire and captivate audiences worldwide.
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Manuel de Falla
