Immerse yourself in the captivating world of Morton Feldman's "For Bunita Marcus / Palais de Mari," a profound exploration of minimalism and avant-garde composition. Released on Oehms Classics in 2009, this album is a testament to Feldman's unique ability to transcend traditional musical boundaries and delve into the realms of subjective time.
The album features two extended works: "For Bunita Marcus" and "Palais de Mari," both composed for solo piano. "For Bunita Marcus" is divided into a beginning and a conclusion, offering a meditative journey through Feldman's signature sparse and introspective style. "Palais de Mari," commissioned by the dedicatee of the earlier piece, Bunita Marcus, is Feldman's last composition for solo piano and is noted for its simplicity and profound depth.
Performances by Sabine Liebner, Hildegard Kleeb, and Marc-André Hamelin bring Feldman's intricate and delicate compositions to life, showcasing the subtle nuances and textural richness that define his work. The album's drone-like qualities and minimalist approach create an atmosphere of serene introspection, inviting listeners to lose themselves in the music's hypnotic beauty.
Morton Feldman, a key figure in the New York School of experimental composers, challenges conventional notions of time and structure in music. His compositions, as heard on this album, evoke a sense of timelessness, where clock-time becomes obsolete, and the listener is drawn into a world of pure, unadulterated sound. "For Bunita Marcus / Palais de Mari" is a masterful example of Feldman's ability to create music that is both deeply personal and universally resonant.
Morton Feldman, born in New York in 1926, was a pioneering American composer who left an indelible mark on 20th-century music. A key figure in the experimental New York School, Feldman was known for his exceptionally long compositions and his innovative approach to time and sound. His works, often referred to as "Time Canvasses," are characterized by their expansive yet intimate nature, blending minimalism, avant-garde, and drone genres. Feldman's unique musical language, influenced by his studies with Maurina-Press and his association with John Cage, continues to captivate and challenge audiences worldwide. His pieces, such as "For Samuel Beckett" and "For Aaron Copland for Solo Violin," showcase his ability to create profound and immersive musical experiences.
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