Immerse yourself in the serene and introspective world of Morton Feldman's "Feldman: The Late Piano Works, Vol. 3," a captivating exploration of minimalism, avant-garde, and drone genres. Released on October 1, 2009, under the Musikproduktion Dabringhaus und Grimm label, this album is a testament to Feldman's unique compositional style and his late-period works dedicated to friends, often referred to as his "For ..." pieces.
The album features two enchanting compositions: "Piano" and "Palais de Mari," performed by the talented pianist Steffen Schleiermacher. With a total duration of 55 minutes, these pieces offer a profound and meditative listening experience. Feldman's late works are known for their delicate textures, subtle nuances, and extended durations, inviting listeners to delve deep into the intricate soundscapes he creates.
Born in New York in 1926 and passing away in 1987, Morton Feldman was a pioneering figure in 20th-century music. His compositions often challenge traditional notions of form and structure, instead focusing on the subtle interplay of sound and silence. "Feldman: The Late Piano Works, Vol. 3" is no exception, offering a glimpse into the mind of a composer who sought to capture the essence of the moment and the beauty of the imperceptible.
This album is a perfect addition to any contemporary classical music collection, showcasing Feldman's distinctive approach to composition and his enduring influence on the genre. Whether you're a seasoned fan of minimalist music or a newcomer looking to explore the avant-garde, "Feldman: The Late Piano Works, Vol. 3" promises a rewarding and enriching listening experience.
Morton Feldman, born in New York in 1926, was a pioneering American composer who left an indelible mark on 20th-century music. A key figure in the experimental New York School, Feldman was known for his exceptionally long compositions and his innovative approach to time and sound. His works, often referred to as "Time Canvasses," are characterized by their expansive yet intimate nature, blending minimalism, avant-garde, and drone genres. Feldman's unique musical language, influenced by his studies with Maurina-Press and his association with John Cage, continues to captivate and challenge audiences worldwide. His pieces, such as "For Samuel Beckett" and "For Aaron Copland for Solo Violin," showcase his ability to create profound and immersive musical experiences.
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