Fizzles

Album Description

Barry Guy's 1993 album, Fizzles, is a masterclass in free jazz and avant-garde musicianship. Recorded live in September 1991 at Kirche Blumenstein in Switzerland, this solo bass album showcases Guy's incredible skill and creativity on both the double bass and chamber bass. The album's 11 tracks, including the poignant "Five Fizzles (For S.B.)", which was inspired by Samuel Beckett's short texts of the same name, demonstrate Guy's ability to craft complex, nuanced compositions that are both emotionally resonant and intellectually stimulating.

With its release on Maya Recordings, Fizzles has become a seminal work in the free jazz genre, influencing generations of musicians and music enthusiasts alike. Barry Guy's innovative approach to the bass, combined with his deep understanding of musical theory and history, makes Fizzles a must-listen for anyone interested in pushing the boundaries of sound and expression. From the opening notes of "Free Fall" to the closing moments of "She Took the Sacred Rattle and Used It", Guy's playing is characterized by its technical precision, emotional depth, and unwavering commitment to exploring the outer limits of jazz and beyond.

1 jan 1993

1993 Maya Recordings

About Barry Guy

Barry Guy is a pioneering figure in the world of contemporary music, renowned for his virtuosity on the double bass and his innovative compositions. Born in 1947, Guy's musical journey spans a diverse range of genres, including free jazz, avant-garde, and classical music. His work is characterized by a unique blend of improvisation and structured composition, making him a standout in both the jazz and classical spheres.

Guy's compositions have been performed by orchestras across the UK and Europe, showcasing his skillful and inventive writing. His discography includes notable works such as "Eye of Silence," "String Quartet no. 3," and "After the Rain," each reflecting his adventurous and demanding musical style. Beyond his solo and ensemble work, Guy has collaborated with artists like baroque violinist Maya Homburger, further expanding his musical horizons.

A graduate of the Guildhall School of Music, Guy has also made significant contributions as an educator, sharing his expertise with future generations of musicians. His music is not just heard but experienced, inviting audiences into a world of sonic exploration and emotional depth. Whether performing solo or leading his twelve-piece New Orchestra, Barry Guy continues to push the boundaries of what is possible in contemporary music.