Flush the Fashion

"Flush the Fashion," released on April 28, 1980, marks a bold and experimental phase in Alice Cooper's illustrious career. This fifth solo studio album, produced by the renowned Roy Thomas Baker, who had previously worked with Queen and the Cars, sees the legendary rocker venturing into new wave territory, offering a stark contrast to his earlier, more theatrical works. The album's cover, a minimalist design created by Alice Cooper himself, signifies a fresh start and a new direction for the artist, who is credited as "Alice Cooper '80."

The album's ten tracks, including the lead single "Clones (We're All)," which reached #40 on the Billboard Top 40, are characterized by their economic production, short durations, and a raw, energetic sound that captures the spirit of the early 1980s. Songs like "Talk Talk," "Pain," and "Nuclear Infected" showcase some of Cooper's best riffs and lyrics, while tracks like "Model Citizen" and "Dance Yourself to Death" offer a glimpse into his signature wit and storytelling prowess.

Despite its critical acclaim and enduring influence, "Flush the Fashion" is often overlooked in discussions of Alice Cooper's discography. However, fans of the genre and those seeking a unique blend of glam rock, hard rock, and new wave influences will find much to appreciate in this underrated gem. The album's themes of societal commentary, personal reflection, and musical experimentation make it a compelling listen, even decades after its initial release.

"Flush the Fashion" was recorded during a tumultuous period in Alice Cooper's life, as he struggled with alcohol and drug problems. Despite these challenges, the album stands as a testament to his artistic vision and his ability to adapt and innovate in the face of adversity. The album's legacy is further cemented by its influence on subsequent generations of musicians and its enduring appeal to fans of classic rock and new wave music.