Foss: Paradigm / Hiller: Algorithms I, Version I & IV / Schwartz: Signals

Dive into the avant-garde world of Lukas Foss with this captivating album, a compilation of three distinct yet interconnected works that push the boundaries of classical music. Released in 1970 under the prestigious Deutsche Grammophon label, this album is a testament to Foss's innovative spirit and his exploration of new musical territories.

The album opens with "Paradigm," a four-movement suite that showcases Foss's unique compositional style. The piece is a journey through different musical sessions, readings, recitals, and lectures, each part building on the last to create a cohesive whole. Foss's use of unconventional structures and his ability to blend different musical elements make "Paradigm" a standout piece in his repertoire.

Following "Paradigm," the album presents two versions of "Algorithms I" by the American composer and pioneer of computer music, Lejaren Hiller. These versions, I and IV, are a fascinating exploration of the intersection of music and mathematics. Each version consists of three movements, with titles like "The Decay of Information" and "The Incorporation of Constraints," hinting at the intellectual depth of these pieces. Foss's interpretation brings out the intricate details and the rhythmic complexity of Hiller's compositions, making them accessible and engaging.

The album concludes with "Signals" by the American composer and conductor, Elliott Carter. This piece is a study in contrast, with rapid shifts in tempo, dynamics, and texture. Foss's performance captures the essence of Carter's music, highlighting its energy and precision.

With a total duration of 46 minutes, this album is a compact yet powerful exploration of avant-garde music. It's a perfect introduction to the works of Lukas Foss and his contemporaries, offering a glimpse into the innovative spirit of 20th-century classical music.