frank martin: ein totentanz zu basel im jahre 1943 - frank martin
Frank Martin: Ein Totentanz zu Basel im Jahre 1943
Frank Martin
2016
23 tracks
1 uur, 6 min
Album Description
"Ein Totentanz zu Basel im Jahre 1943" by Frank Martin is a captivating exploration of life, death, and the human condition, set against the backdrop of World War II. Composed in 1943 during the tumultuous years of the war, this orchestral work is a profound reflection on mortality and the human experience. The album, released in 2016 by CPO, features 23 tracks that span a total of 66 minutes, each piece meticulously crafted to evoke a range of emotions and thoughts.
Conducted by Bastiaan Blomhert, the album brings to life Frank Martin's unique vision of a professional dancer embodying death, accompanied by a dozen pantomimes. The music is a blend of classical elegance and modern sensibilities, making it a compelling listen for both classical enthusiasts and those new to the genre. The album's title, which translates to "A Dance of Death in Basel in the Year 1943," hints at the somber yet poignant themes that permeate the composition.
From the haunting "Death and the Old Man" to the reflective "Death and the Young Girl," each track offers a glimpse into the existential questions that Martin grappled with during his time. The album's diverse range of movements, including marches, dances, and contemplative pieces, ensures a rich and varied listening experience. Whether you're drawn to the rhythmic intensity of the marches or the introspective beauty of the slower pieces, "Ein Totentanz zu Basel im Jahre 1943" promises a deep and rewarding engagement with Frank Martin's masterful composition.
2016 CPO2016 CPO
Tracks
Ein Totentanz zu Basel im Jahre 1943: No. 1, 1st March of the DrumsFrank Martin, Edith Habraken, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 2, 2nd March of the DrumsFrank Martin, Edith Habraken, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 3, Der Grimmig TodtFrank Martin, Sacramentskoor Breda, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 4, Death and the Old ManFrank Martin, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 5, Death and the Mother with Her ChildFrank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 6, Das ewig LichtFrank Martin, Sacramentskoor Breda, Hineni String Orchestra, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 7, Death and the AthleteFrank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 8, Aus tiefer NotFrank Martin, Sacramentskoor Breda, Hineni String Orchestra, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 9, Death and the Rich ManFrank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 10, GaiementFrank Martin, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 11, BourréeFrank Martin, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 12, MarchFrank Martin, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 13, Death AloneFrank Martin, Ruben Tome, Geoffrey Douglas Madge, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 14, Death and the Young GirlFrank Martin, Edith Habraken, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 15, Es war ein wunderlicher KriegFrank Martin, Sacramentskoor Breda, Hineni String Orchestra, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 16a, Death and the SelfmurdererFrank Martin, Edith Habraken, Christine von Arx, Eduard Grass-Haas, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 16b, MarchFrank Martin, Edith Habraken, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 17, FoxtrottFrank Martin, Geoffrey Douglas Madge, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 18, Other DanceFrank Martin, Geoffrey Douglas Madge, Edith Habraken, Associação Recreativa Musical Amigos da Branca, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 19, MarchFrank Martin, Edith Habraken, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 20, Death and the Beautiful LadyFrank Martin, Edith Habraken, Christine von Arx, Eduard Grass-Haas, Geoffrey Douglas Madge, Hineni String Orchestra, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 21, Durch Adams FallFrank Martin, Sacramentskoor Breda, Hineni String Orchestra, Bastiaan Blomhert
Ein Totentanz zu Basel im Jahre 1943: No. 22, RetraiteFrank Martin, Edith Habraken, Bastiaan Blomhert
Frank Martin, born in 1890 in Switzerland, was a composer whose work continues to resonate in concert halls worldwide, even 50 years after his passing. Martin's music is deeply spiritual and innovative, often reflecting his profound Christian faith and the influence of Baroque masters like Bach. He was a pioneer of the twelve-tone technique and created a diverse range of works, including orchestral, choral, vocal, and chamber music. Martin's compositions, such as the Violin Concerto and Petite Symphonie concertante, are celebrated for their exceptional quality and enduring relevance. Despite his global acclaim, Martin's name remains known to a select audience, adding an air of intimacy and discovery to his music. His legacy is preserved and promoted by the Frank Martin Foundation, ensuring that his compositions continue to inspire and captivate audiences.
Vinylscout
Frank Martin
