"Future Song" by Marilyn Mazur is a captivating journey into the world of atmospheric jazz, released on April 18, 2008, via the Intuition label. This album is a testament to Mazur's mastery of percussion and her ability to create intricate, ensemble-driven compositions. Spanning a total of 64 minutes, the album features nine tracks, including two previously unreleased compositions from 1990 and 2008.
The album opens with the expansive "First Dream," a 17-minute exploration of sound and rhythm that sets the tone for the rest of the record. Throughout "Future Song," Marilyn Mazur's percussion work is often a subtle, coloristic presence, allowing the ensemble to shine. However, in pieces like "Saturn Song" and "Seventh Dream," her virtuosity takes center stage.
"Future Song" was first assembled during Marilyn Mazur's residency at Norway's Molde Jazz Festival in 2008. The album features a mix of Mazur's compositions, showcasing her unique approach to jazz and her ability to blend various influences into a cohesive whole. From the atmospheric "Urstrom" to the lively "Rainbow Birds Suite," each track offers a unique listening experience.
The album's diverse tracklist includes "When I Get to the Mountain," a cover that Mazur infuses with her signature style, and "Well of Clouds," a piece that highlights the ensemble's dynamic range. "Future Song" is a remarkable addition to Marilyn Mazur's discography, offering both longtime fans and newcomers a chance to explore her innovative approach to jazz.
Marilyn Mazur is a dynamic force in the world of jazz percussion, blending her American roots with her Danish home to create a unique and captivating sound. With a career spanning over five decades, Mazur has established herself as a master percussionist, composer, and bandleader, known for her innovative approach and powerful performances. She is an autodidact who honed her skills with a degree from the Royal Danish Academy of Music and has collaborated with jazz legends such as Miles Davis, Gil Evans, and Wayne Shorter. Mazur founded the groundbreaking all-female music-theater ensemble Primi Band in 1978, and later, the modern tribal gathering Shamania, showcasing her ability to draw from a deep well of primal energy and create music that is both bold and innovative. Her work is a testament to her versatility and her ability to push the boundaries of jazz, making her a true pioneer in the genre.
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