Gettin' Together!

Album Description

"Gettin' Together!" is a captivating jazz album by the renowned tenor saxophonist Paul Gonsalves, originally recorded in 1960 and reissued on CD in 1987. This album showcases Gonsalves' exceptional talent and versatility, featuring a blend of cool jazz, bebop, and hard bop styles that highlight his mastery of the saxophone. The album includes eight tracks, with notable performances on songs like "Gettin' Together" and "Walkin'".

The album features a stellar lineup of musicians, including pianist Wynton Kelly, bassist Sam Jones, and drummer Jimmy Cobb, who provide a solid rhythmic foundation. Additionally, cornetist Nat Adderley joins the quartet on five tracks, adding a rich, brassy texture to the ensemble's sound. Gonsalves' playing is both powerful and nuanced, demonstrating his ability to hold his own with younger "modernists" of the time.

"Gettin' Together!" is a testament to Gonsalves' enduring legacy, particularly his work with Duke Ellington's band. The album's straight-ahead approach and impeccable playing make it a standout in his discography. Whether you're a longtime fan of Paul Gonsalves or a newcomer to his music, this album offers a compelling introduction to his artistry and the vibrant world of jazz.

1 jan 1987

℗ 1987 Fantasy, Inc.

About Paul Gonsalves

Paul Gonsalves, born in Brockton, Massachusetts, in 1920, was a tenor saxophonist whose name is synonymous with some of the most electrifying moments in jazz history. Gonsalves is best known for his tenure with Duke Ellington, where he delivered a legendary 27-chorus solo during the 1956 Newport Jazz Festival, a performance that revitalized Ellington's career and solidified Gonsalves' status as a jazz icon. His emotive and high-energy playing style, honed through his experiences with bands led by Count Basie and Dizzy Gillespie, made him a standout soloist and a favorite of Ellington's. Gonsalves' contributions to Ellington's suites and his prolific recordings as a soloist and bandleader showcase his versatility and influence across jazz genres, from cool jazz to hard bop. His personal style on the tenor saxophone is instantly recognizable, making him a beloved figure in the jazz world.