"White Election" is a captivating song cycle composed by Gordon Getty, released on January 1, 1988, under the Delos label. This album is a unique blend of classical music and poetry, featuring the words of the renowned American poet Emily Dickinson set to Getty's evocative compositions. Spanning a duration of 1 hour and 12 minutes, the album is divided into four parts, each containing a collection of songs that explore themes of life, love, and mortality through Dickinson's introspective and often enigmatic poetry.
Gordon Getty, known for his work in both classical and contemporary music, brings a fresh perspective to Dickinson's timeless verses. His compositions, ranging from delicate and introspective to powerful and dramatic, beautifully complement the poet's words, creating a harmonious fusion of music and poetry. The album features a variety of musical styles, showcasing Getty's versatility and depth as a composer.
"White Election" is not just a collection of songs; it's an immersive experience that invites the audience to engage with Dickinson's poetry in a new and profound way. The album's four parts, titled "The Pensive Spring," "So Must We Meet Apart," "Almost Peace," and "My Feet Slip Nearer," each offer a unique exploration of Dickinson's themes, providing a comprehensive journey through her poetic landscape.
Whether you're a fan of classical music, poetry, or both, "White Election" offers a unique and enriching experience. Gordon Getty's compositions, combined with Dickinson's timeless words, create an album that is both intellectually stimulating and aesthetically pleasing. So, sit back, relax, and let the enchanting melodies and profound lyrics of "White Election" transport you to a world of beauty and introspection.
1988 Delos1988 Delos
Tracks
The White Election: Part I: The Pensive Spring: I Sing to UseGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part I: The Pensive Spring: There is a MornGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part I: The Pensive Spring: I had a GuineaGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part I: The Pensive Spring: If She had beenGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part I: The Pensive Spring: New Feet withinGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part I: The Pensive Spring: She Bore itGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part I: The Pensive Spring: I Taste a LiquorGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part I: The Pensive Spring: I should not DareGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part II: So Must We Meet Apart: There Came a DayGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part II: So Must We Meet Apart: The First Day's NightGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part II: So Must We Meet Apart: The Soul SelectsGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part II: So Must We Meet Apart: It was not DeathGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part II: So Must We Meet Apart: When I was SmallGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part II: So Must We Meet Apart: I Cried at PityGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part II: So Must We Meet Apart: The Night was WideGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part II: So Must We Meet Apart: I Cannot Live with youGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part III: Almost Peace: My First Well DayGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part III: Almost Peace: It Ceased to Hurt MeGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part III: Almost Peace: I Like to See itGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part III: Almost Peace: Split the LarkGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part III: Almost Peace: The Crickets SangGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part III: Almost Peace: After a Hundred YearsGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part III: Almost Peace: The Clouds their BacksGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part III: Almost Peace: I Shall not MurmurGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part IV: My Feet Slip Nearer: The Grave my Little Cottage isGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part IV: My Feet Slip Nearer: I Did not Reach TheeGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part IV: My Feet Slip Nearer: My Wars are Laid away in BooksGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part IV: My Feet Slip Nearer: There Came a WindGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part IV: My Feet Slip Nearer: The Going from a WorldGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part IV: My Feet Slip Nearer: Upon his Saddle Sprung a BirdGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part IV: My Feet Slip Nearer: Beauty Crowds MeGordon Getty, Kaaren Erickson, Armen Guzelimian
The White Election: Part IV: My Feet Slip Nearer: I Sing to Use the WaitingGordon Getty, Kaaren Erickson, Armen Guzelimian
Gordon Getty is an American composer and businessman whose musical journey is as rich and layered as his family's legacy. Born into the prominent Getty family, Gordon has carved out his own niche in the world of classical music, creating a body of work that spans decades. A graduate in English literature from the University of San Francisco, Getty's poetic sensibilities often inform his compositions, as seen in his self-penned librettos for operas like "Joan and the Bells." His music, characterized by its tuneful melodies and emotional depth, has captivated audiences worldwide. Beyond his musical pursuits, Getty is also known for his business acumen, having assumed control of his father's substantial trust. His compositions, ranging from choral works to piano pieces, offer a glimpse into his artistic vision, making him a notable figure in contemporary classical music.
Vinylscout
Gordon Getty
