Anthony Girard's "Girard: Musique sacrée," released in 2000 under Pavane Records, is a captivating journey through contemporary classical music. This album showcases Girard's unique compositional voice, blending sacred themes with modern musical expressions. The centerpiece of the album is the "Magnificat, pour hautbois et orchestre à cordes," a stunning work for oboe and string orchestra, presented in both its full and suite forms. The album also features the evocative "Comme une étoile du matin, pour orchestre à cordes," divided into three distinct movements: "Céleste," "Mystique," and "Juvénile," each offering a different emotional and musical landscape. The final track, "Chant d'amour à l'éternité," is a poignant chamber piece for voice, violin, violoncelle, flûte, clarinette, and piano, adding a deeply personal touch to the collection. Performed by the Orchestre Bernard Calmel with Jean-Michel Penot on oboe, this album is a testament to Girard's skill as a composer and his ability to create profound, engaging music.