"Glad To Be Unhappy" is a captivating jazz album by the renowned saxophonist Paul Desmond, released on January 1, 1965, under the RCA Victor label. This album is a delightful blend of cool jazz, bossa nova, and Brazilian jazz, showcasing Desmond's signature smooth and lyrical saxophone style.
The album features ten tracks, each offering a unique blend of melodies and rhythms that are sure to enchant any jazz enthusiast. From the title track "Glad to Be Unhappy" to the hauntingly beautiful "Angel Eyes," Desmond's mastery of the saxophone is evident throughout. The album also includes notable tracks like "Poor Butterfly," "Stranger In Town," and "A Taste of Honey," each offering a different flavor of jazz that keeps the listener engaged from start to finish.
Desmond's collaboration with guitarist Jim Hall on this album is particularly noteworthy. Their chemistry is palpable, creating a rich and textured sound that is both sophisticated and accessible. The album's duration of 56 minutes makes it a perfect companion for a relaxed evening or a focused listening session.
"Glad To Be Unhappy" is not just an album; it's a testament to Paul Desmond's artistry and his significant contributions to the world of jazz. Whether you're a longtime fan of Desmond's work or a newcomer to his music, this album is sure to leave a lasting impression. So, sit back, relax, and let the smooth sounds of Paul Desmond transport you to a world of cool jazz and timeless melodies.
Paul Desmond, born Paul Emil Breitenfeld in 1924, was an American jazz virtuoso renowned for his distinctive alto saxophone style and innovative compositions. A key figure in the cool jazz movement, Desmond's career flourished, particularly through his collaboration with pianist Dave Brubeck. He is best known for composing the jazz classic "Take Five," a timeless piece that remains a staple in the genre. Desmond's musical genius extended beyond his saxophone skills; he was also a talented composer and improviser, leaving an indelible mark on cool jazz, bossa nova, and Brazilian jazz. His work continues to inspire musicians and jazz enthusiasts alike, cementing his legacy as one of the most important saxophonists of the 1950s and beyond.
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