Immerse yourself in the timeless masterpiece of Christoph Willibald Gluck with his iconic opera "Iphigenia in Aulis." This stunning 2014 recording, released by Oehms Classics, brings to life the first opera Gluck composed for the Paris stage, premiering in 1774. The opera, set to a libretto by François-Louis Gand Le Bland Du Roullet, is based on Jean Racine's tragedy, which itself draws from Euripides' classic play.
"Iphigenia in Aulis" is a powerful exploration of fate, sacrifice, and divine intervention. The opera tells the story of Iphigenia, the daughter of King Agamemnon, who is destined to be sacrificed to ensure favorable winds for the Greek fleet bound for Troy. The drama unfolds with intense passion and dramatic tension, culminating in a dramatic finale that leaves the audience on the edge of their seats.
This album features the complete opera, spanning three acts and over an hour and a half of captivating music. Gluck's innovative use of orchestration and his focus on dramatic expression make this opera a cornerstone of the classical repertoire. The recording showcases the rich, dramatic score, with each aria and ensemble piece beautifully rendered, highlighting the depth and complexity of Gluck's compositional genius.
The opera's overture sets the stage with a powerful and evocative introduction, while the subsequent acts are filled with arias and choruses that bring the characters' inner turmoil and external conflicts to life. From the haunting beauty of Iphigenia's arias to the dramatic confrontations between Agamemnon and Achilles, every moment of this opera is a testament to Gluck's mastery of his craft.
Whether you are a seasoned opera enthusiast or a newcomer to the genre, "Iphigenia in Aulis" offers a rich and rewarding listening experience. The album's high-quality recording and the skillful performances bring Gluck's vision to life, making it a essential addition to any classical music collection.
2014 Oehms Classics2014 Oehms Classics
Tracks
Iphigenie en Aulide, Op. 77: OuvertureChristoph Willibald Gluck, Christoph Spering, Das Neue Orchester
Iphigenie en Aulide, Op. 77, Act I Scene 1: O Artemis, Erzürnte (Agamemnon)Christoph Willibald Gluck, Oliver Zwarg, Das Neue Orchester, Christoph Spering
Iphigenie en Aulide, Op. 77, Act I Scene 2: Länger darfst du nicht widerstreben (Chorus, Kalchas, Agamemnon)Christoph Willibald Gluck, Christoph Spering, Raimund Nolte, Oliver Zwarg, Das Neue Orchester, Chorus Musicus Köln
Iphigenie en Aulide, Op. 77, Act I Scene 3: Du siehst, wie laut das Heer schon wütet (Agamemnon)Christoph Willibald Gluck, Christoph Spering, Oliver Zwarg, Das Neue Orchester
Iphigenie en Aulide, Op. 77, Act I Scene 3: Klytamnestra mit der Tochter! (Chorus, Agamemnon, Kalchas)Christoph Willibald Gluck, Christoph Spering, Oliver Zwarg, Raimund Nolte, Chorus Musicus Köln, Das Neue Orchester
Iphigenie en Aulide, Op. 77, Act I Scene 4: Welch ein Reiz! Welche Majestät! (Chorus, Agamemnon, Kalchas)Christoph Willibald Gluck, Christoph Spering, Oliver Zwarg, Raimund Nolte, Das Neue Orchester, Chorus Musicus Köln
Iphigenie en Aulide, Op. 77, Act I Scene 4: Wie gern hört mein Ohr dieses schmeichelnde Lob (Klytamnestra)Christoph Willibald Gluck, Christoph Spering, Michelle Breedt, Das Neue Orchester
Iphigenie en Aulide, Op. 77, Act I Scene 4: MenuettoChristoph Willibald Gluck, Christoph Spering, Das Neue Orchester
Iphigenie en Aulide, Op. 77, Act I Scene 4: Die Liebe, durch die sie mich ehren (Iphigenia)Christoph Willibald Gluck, Camilla Nylund, Das Neue Orchester, Christoph Spering
Iphigenie en Aulide, Op. 77, Act I Scene 5: Lasst uns allein! (Klytamnestra, Iphigenia)Christoph Willibald Gluck, Michelle Breedt, Camilla Nylund, Das Neue Orchester, Christoph Spering
Iphigenie en Aulide, Op. 77, Act I Scene 5: Waffne dich mit zürnendem Mute (Klytamnestra)Christoph Willibald Gluck, Christoph Spering, Michelle Breedt, Das Neue Orchester
Iphigenie en Aulide, Op. 77, Act I Scene 6: Hab' ich recht gehört? (Iphigenia)Christoph Willibald Gluck, Camilla Nylund, Das Neue Orchester, Christoph Spering
Iphigenie en Aulide, Op. 77, Act I Scene 7: Ist's ein Traum, der mich täuscht? (Achilles, Iphigenia)Christoph Willibald Gluck, Camilla Nylund, Christian Elsner, Das Neue Orchester, Christoph Spering
Iphigenie en Aulide, Op. 77, Act I Scene 7: Mein Bangen (Iphigenia, Achilles)Christoph Willibald Gluck, Camilla Nylund, Christian Elsner, Das Neue Orchester, Christoph Spering
Iphigenie en Aulide, Op. 77, Act II Scene 1: Lass deine Brust Freude durchwallen (Chorus, Iphigenia)Christoph Willibald Gluck, Camilla Nylund, Das Neue Orchester, Christoph Spering, Chorus Musicus Köln
Iphigenie en Aulide, Op. 77, Act II Scene 1: Bald von Fürchten und bald von Hoffen (Iphigenia)Christoph Willibald Gluck, Camilla Nylund, Das Neue Orchester, Christoph Spering
Iphigenie en Aulide, Op. 77, Act II Scene 2: Meine Tochter, bald macht Hymen dich glücklich! (Klytamnestra, Iphigenia)Christoph Willibald Gluck, Camilla Nylund, Michelle Breedt, Das Neue Orchester, Christoph Spering
Iphigenie en Aulide, Op. 77, Act II Scene 3: MarchChristoph Willibald Gluck, Christoph Spering, Das Neue Orchester
Iphigenie en Aulide, Op. 77, Act II Scene 3: Singt laut und erhebt eure Königin! (Achilles, Chorus)Christoph Willibald Gluck, Christoph Spering, Christian Elsner, Das Neue Orchester, Chorus Musicus Köln
Iphigenie en Aulide, Op. 77, Act II Scene 4: Der Ehe holder Gott! (Arcas, Achilles, Klytamnestra)Christoph Willibald Gluck, Christoph Spering, Christian Elsner, Michelle Breedt, Das Neue Orchester, Chorus Musicus Köln
Iphigenie en Aulide, Op. 77, Act II Scene 5: Ach, zum Tode verdammt (Klytamnestra, Achilles, Iphigenia)Christoph Willibald Gluck, Michelle Breedt, Christian Elsner, Camilla Nylund, Das Neue Orchester, Christoph Spering
Iphigenie en Aulide, Op. 77, Act II Scene 5: Ja, mein Vater ist er (Iphigenia, Klytamnestra, Achilles)Christoph Willibald Gluck, Camilla Nylund, Michelle Breedt, Christian Elsner, Das Neue Orchester, Christoph Spering
Iphigenie en Aulide, Op. 77, Act II Scene 6: Folg' mir, du Treuer! (Achilles, Arcas)Christoph Willibald Gluck, Christoph Spering, Christian Elsner, Das Neue Orchester, Chorus Musicus Köln
Iphigenie en Aulide, Op. 77, Act II Scene 6: Ha! Er kommt! (Achilles, Agamemnon)Christoph Willibald Gluck, Christoph Spering, Christian Elsner, Oliver Zwarg, Das Neue Orchester
Iphigenie en Aulide, Op. 77, Act II Scene 6: Wie du so kühn und frech mir drohst (Agamemnon, Achilles)Christoph Willibald Gluck, Christoph Spering, Christian Elsner, Oliver Zwarg, Das Neue Orchester
Iphigenie en Aulide, Op. 77, Act II Scene 7: Weh' mir! Welch ein Beginnen! (Agamemnon)Christoph Willibald Gluck, Christoph Spering, Oliver Zwarg, Das Neue Orchester
Iphigenie en Aulide, Op. 77, Act III Scene 1: Nein, nein, nimmer dulden wir das (Chorus, Iphigenia, Arcas)Christoph Willibald Gluck, Camilla Nylund, Das Neue Orchester, Christoph Spering, Chorus Musicus Köln
Iphigenie en Aulide, Op. 77, Act III Scene 2: Geliebte! Folge mir, fürchte nicht das Geschrei (Achilles, Iphigenia)Christoph Willibald Gluck, Camilla Nylund, Christian Elsner, Das Neue Orchester, Christoph Spering
Iphigenie en Aulide, Op. 77, Act III Scene 2: Das los, das mir beschieden, will mutvoll ich ertragen (Iphigenia, Achilles)Christoph Willibald Gluck, Camilla Nylund, Christian Elsner, Das Neue Orchester, Christoph Spering
Iphigenie en Aulide, Op. 77, Act III Scene 2: Der Priester, wagt er dir zu näh'n (Achilles)Christoph Willibald Gluck, Christoph Spering, Christian Elsner, Das Neue Orchester
Iphigenie en Aulide, Op. 77, Act III Scene 3: Er geht, er flieht! Ihr Götter! (Iphigenia, Chorus, Klytamnestra)Christoph Willibald Gluck, Camilla Nylund, Michelle Breedt, Das Neue Orchester, Christoph Spering, Chorus Musicus Köln
Iphigenie en Aulide, Op. 77, Act III Scene 3: Nichts vermag mein Geschick zu wenden (Iphigenia, Klytamnestra, Chorus)Christoph Willibald Gluck, Camilla Nylund, Michelle Breedt, Das Neue Orchester, Christoph Spering, Chorus Musicus Köln
Iphigenie en Aulide, Op. 77, Act III Scene 4: Meine Tochter! (Klytamnestra)Christoph Willibald Gluck, Christoph Spering, Michelle Breedt, Das Neue Orchester
Iphigenie en Aulide, Op. 77, Act III Scene 5: Du Gottheit, groß und hehr, sei gnädig unser'm Werk! (Chorus, Klytamnestra)Christoph Willibald Gluck, Christoph Spering, Michelle Breedt, Das Neue Orchester, Chorus Musicus Köln
Iphigenie en Aulide, Op. 77, Act III Scene 6: Finale. Lohn' uns das Blut, das deinem Altar fließe! (Chorus, Achilles, Iphigenia, Klytamnestra, Agamemnon, Kalchas, Artemis)Christoph Willibald Gluck, Christian Elsner, Camilla Nylund, Michelle Breedt, Oliver Zwarg, Raimund Nolte, Mirjam Engel, Das Neue Orchester, Christoph Spering, Chorus Musicus Köln
Iphigenie en Aulide, Op. 77: Ouverture (Concert Version)Christoph Willibald Gluck, Christoph Spering, Das Neue Orchester
Christoph Willibald Gluck, a pioneering figure in the world of opera, bridged the gap between the Baroque and Classical eras with his innovative and dramatic compositions. Born in the Upper Palatinate and raised in Bohemia, Gluck's journey took him from the courts of Europe to the stages of Italy and France, where he revolutionized operatic practices. His groundbreaking works, such as "Orfeo ed Euridice" and "Alceste," broke away from the dominant opera seria style, introducing more dramatic storytelling and orchestral depth. Gluck's reforms, which included the use of orchestral recitative and the reduction of lengthy da capo arias, laid the foundation for the future of opera, influencing composers like Mozart and Berlioz. With a career spanning nearly five decades and a catalog of 49 operas, Gluck's legacy as a trailblazer in the world of classical music is undeniable.
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