Immerse yourself in the timeless beauty of classical opera with Christoph Willibald Gluck's masterful composition, "Orphée et Eurydice, Wq. 30." This exquisite album, released on January 1, 2016, under the Orfeo label, showcases the genius of Gluck, one of the most influential composers of the Classical era. The opera, based on the myth of Orpheus and Eurydice, is a stunning example of the azione teatrale genre, featuring a blend of mythological narrative, choral harmonies, and enchanting dance sequences.
The album spans a captivating 1 hour and 22 minutes, offering a rich tapestry of musical expression. From the stirring overture to the poignant aria "Che farò senza Euridice?" (What shall I do without Eurydice?), each track is a testament to Gluck's innovative approach to opera. The libretto, penned by Ranieri de' Calzabigi, complements the music beautifully, creating a seamless fusion of words and melody.
Gluck's "Orphée et Eurydice, Wq. 30" is not just an opera; it is a journey through the depths of human emotion and the heights of artistic achievement. The opera's premiere in Vienna in 1762 marked a significant milestone in the history of opera, and its subsequent French version in 1774 further cemented its place in the canon of classical music. This album, with its meticulous recording and faithful rendition, allows you to experience the magic of Gluck's vision, making it an essential addition to any classical music collection.
2016 Orfeo2016 Orfeo
Tracks
Orphée et Eurydice, Wq. 30: OvertureChristoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act I: Ah, se intorno a quest'urna funesta (1)Christoph Willibald Gluck, Ferdinand Leitner, Dietrich Fischer-Dieskau, WDR Rundfunkchor Köln, Cappella Coloniensis
Orphée et Eurydice, Wq. 30, Act I: Basta, basta, o compagniChristoph Willibald Gluck, Dietrich Fischer-Dieskau, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act I: BalloChristoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act I: Ah, se intorno a quest'urna funesta (2)Christoph Willibald Gluck, WDR Rundfunkchor Köln, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act I: Chiamo il mio ben cosiChristoph Willibald Gluck, Dietrich Fischer-Dieskau, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act I: Euridice, ombra caraChristoph Willibald Gluck, Dietrich Fischer-Dieskau, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act I: Cerco il mio ben cosiChristoph Willibald Gluck, Dietrich Fischer-Dieskau, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act I: Euridice, Euridice!Christoph Willibald Gluck, Dietrich Fischer-Dieskau, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act I: Piango il mio ben cosiChristoph Willibald Gluck, Dietrich Fischer-Dieskau, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act I: Numi, Barbari NumiChristoph Willibald Gluck, Dietrich Fischer-Dieskau, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act I: T'assiste Amore!Christoph Willibald Gluck, Dietrich Fischer-Dieskau, Ruth-Margret Pütz, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act I: Gli sguardi trattieniChristoph Willibald Gluck, Ruth-Margret Pütz, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act I: Che disse? Che ascoltai?Christoph Willibald Gluck, Ferdinand Leitner, Dietrich Fischer-Dieskau, Cappella Coloniensis
Orphée et Eurydice, Wq. 30, Act II: Ballo (1)Christoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act II: Chi mai dell'Erebo fra le caligini (1)Christoph Willibald Gluck, WDR Rundfunkchor Köln, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act II: Ballo (2)Christoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act II: Chi mai dell'Erebo fra le caligini (2)Christoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner, WDR Rundfunkchor Köln
Orphée et Eurydice, Wq. 30, Act II: Ballo (3)Christoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act II: Deh placatevi con meChristoph Willibald Gluck, Dietrich Fischer-Dieskau, WDR Rundfunkchor Köln, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act II: Misero giovane, che vuoi, che meditiChristoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner, WDR Rundfunkchor Köln
Orphée et Eurydice, Wq. 30, Act II: Mille peneChristoph Willibald Gluck, Dietrich Fischer-Dieskau, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act II: Ah, quale incognito affetto flebile (1)Christoph Willibald Gluck, WDR Rundfunkchor Köln, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act II: Men tiranneChristoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner, Dietrich Fischer-Dieskau
Orphée et Eurydice, Wq. 30, Act II: Ah, quale incognito affetto flebile (2)Christoph Willibald Gluck, WDR Rundfunkchor Köln, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act II: Ballo (4)Christoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act II: Che puro cielChristoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner, Dietrich Fischer-Dieskau, WDR Rundfunkchor Köln
Orphée et Eurydice, Wq. 30, Act II: Vieni a' regni del riposoChristoph Willibald Gluck, WDR Rundfunkchor Köln, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act II: Anime avventuroseChristoph Willibald Gluck, Dietrich Fischer-Dieskau, WDR Rundfunkchor Köln, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act II: Torna, o Bella, al tuo consorteChristoph Willibald Gluck, WDR Rundfunkchor Köln, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act III: Vieni, segui i miei passiChristoph Willibald Gluck, Dietrich Fischer-Dieskau, Elisabeth Söderström, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act III: Vieni appaga il tuo consorteChristoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner, Dietrich Fischer-Dieskau, Elisabeth Söderström
Orphée et Eurydice, Wq. 30, Act III: Qual vita e questa maiChristoph Willibald Gluck, Elisabeth Söderström, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act III: Che fiero momentoChristoph Willibald Gluck, Elisabeth Söderström, Cappella Coloniensis, Ferdinand Leitner
Orphée et Eurydice, Wq. 30, Act III: Ecco in nuovo tormento!Christoph Willibald Gluck, Elisabeth Söderström, Ferdinand Leitner, Cappella Coloniensis, Dietrich Fischer-Dieskau
Orphée et Eurydice, Wq. 30, Act III: Che faro senza Euridice?Christoph Willibald Gluck, Cappella Coloniensis, Ferdinand Leitner, Dietrich Fischer-Dieskau
Orphée et Eurydice, Wq. 30, Act III: Ah finisca e per sempreChristoph Willibald Gluck, Ferdinand Leitner, Dietrich Fischer-Dieskau, Cappella Coloniensis
Orphée et Eurydice, Wq. 30, Act III: Orfeo, che fai?Christoph Willibald Gluck, Ruth-Margret Pütz, Ferdinand Leitner, Cappella Coloniensis, Dietrich Fischer-Dieskau
Orphée et Eurydice, Wq. 30, Act III: MaestosoChristoph Willibald Gluck, Ferdinand Leitner, Cappella Coloniensis
Orphée et Eurydice, Wq. 30, Act III: Trionfi AmoreChristoph Willibald Gluck, Elisabeth Söderström, WDR Rundfunkchor Köln, Ferdinand Leitner, Ruth-Margret Pütz, Cappella Coloniensis, Dietrich Fischer-Dieskau
Christoph Willibald Gluck, a pioneering figure in the world of opera, bridged the gap between the Baroque and Classical eras with his innovative and dramatic compositions. Born in the Upper Palatinate and raised in Bohemia, Gluck's journey took him from the courts of Europe to the stages of Italy and France, where he revolutionized operatic practices. His groundbreaking works, such as "Orfeo ed Euridice" and "Alceste," broke away from the dominant opera seria style, introducing more dramatic storytelling and orchestral depth. Gluck's reforms, which included the use of orchestral recitative and the reduction of lengthy da capo arias, laid the foundation for the future of opera, influencing composers like Mozart and Berlioz. With a career spanning nearly five decades and a catalog of 49 operas, Gluck's legacy as a trailblazer in the world of classical music is undeniable.