Experience the power and elegance of Grace Bumbry's extraordinary vocal prowess with "Grace Bumbry singt Opern-Arien," a timeless collection of operatic arias released in 1962. This album showcases Bumbry's versatility and mastery as one of the leading mezzo-sopranos of her generation, featuring a selection of beloved arias that highlight her exceptional range and expressive depth.
The album opens with a captivating performance of "Che farò senza Euridice?" from Gluck's "Orpheus and Eurydice," setting the stage for a journey through some of the most iconic operatic works. Bumbry's rendition of "Che puro ciel!" from the same opera is a testament to her ability to convey both vulnerability and strength. The album also includes arias from Verdi's "Don Carlo," such as "O don fatale, o don crudel," and "Re dell'abisso affrettati" from "A Masked Ball," demonstrating her command of the dramatic repertoire.
Bumbry's interpretation of "Voi lo sapete, o mamma" from Mascagni's "Cavalleria rusticana" is particularly poignant, showcasing her ability to infuse each note with profound emotion. The album also features arias from Bizet's "Carmen," including the famous "Habanera" and "Seguidilla," as well as the enchanting "Carreau, pique..." from the Cards Aria. Bumbry's performance of "Ô ma lyre immortelle" from Gounod's "Sapho" and "Mon cœur s'ouvre à ta voix" from Saint-Saëns' "Samson and Delilah" further underscores her versatility and artistic depth.
Accompanied by the Radio-Symphonie-Orchester Berlin and conducted by János Kulka, this album captures the essence of Bumbry's artistry in a way that is both intimate and grand. Whether you are a seasoned opera enthusiast or a newcomer to the genre, "Grace Bumbry singt Opern-Arien" offers a rich and rewarding listening experience. The album's 45-minute duration is filled with moments of pure vocal brilliance, making it a cherished addition to any classical music collection.
Grace Bumbry was an acclaimed American opera singer, renowned for her powerful and versatile voice that spanned both mezzo-soprano and soprano roles. Born Grace Melzia Bumbry, she was part of a groundbreaking generation of African-American classical singers, following in the footsteps of Marian Anderson. Bumbry's career took a monumental turn in 1961 when she became the first black singer to perform at the prestigious Bayreuth Festival in Germany, starring as Venus in Wagner's 'Tannhäuser'. This historic achievement catapulted her to international fame and solidified her status as one of the leading vocalists of her time. Throughout her illustrious career, which spanned over three decades, Bumbry captivated audiences with her extraordinary talent and artistry, leaving an indelible mark on the world of opera.
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