- Albums
- grace - kathleen battle
Grace
- 1997
- 14 tracks
- 50 min
- opera
Album Description
Kathleen Battle, renowned for her crystalline soprano and captivating stage presence, invites listeners into a world of sacred beauty with her 1997 album "Grace." Released under the prestigious Sony Classical label, this collection of choral and operatic pieces showcases Battle's extraordinary vocal range and interpretive depth. The album spans a duration of 50 minutes, featuring 14 tracks that blend classical masterpieces with spirituals, offering a rich and diverse listening experience.
"Grace" opens with the triumphant "Rejoice Greatly" from Handel's "Messiah," setting the tone for a journey through some of the most beloved works in the classical repertoire. Battle's rendition of "Laudate Dominum" from Mozart's "Vesperae solennes de confessore" is a standout, demonstrating her ability to infuse each note with profound reverence and grace. The album also includes beloved pieces such as "Ave Maria," "Pie Jesu," and the soul-stirring spiritual "Were You There When They Crucified My Lord," highlighting Battle's versatility and emotional resonance.
Kathleen Battle's "Grace" is a testament to her artistry, capturing the essence of sacred music with unparalleled elegance and sensitivity. Whether you are a seasoned classical enthusiast or a newcomer to the genre, this album offers a serene and uplifting experience, showcasing the timeless beauty of Kathleen Battle's voice.
Tracks
- Messiah, HWV 56: Rejoice GreatlyGeorge Frideric Handel, Kathleen Battle, Robert Sadin, Anthony Newman, Erica Kiesewetter, Richard Rood, Curtis Macomber, Timothy Baker, Eric Wyrick, Julie Rosenfeld, Anna Rabinova, Robin Bushman, Joel Pitchon, Sharon H. Yamada, Donald Palma, Andre Emelianoff, Charles Curtis
- Schlafendes Jesuskind from Mörike-Lieder III, No. 25 - VoiceHugo Wolf, Robert Sadin
- Vesperae solennes de confessore, K. 339: Laudate DominumWolfgang Amadeus Mozart, Kathleen Battle, The American Boychoir, Anthony Newman, Nancy Allen, Charles Curtis, Donald Palma, Stephen Taylor, Robert Sadin
- Joshua, HWV 64: O Had I Jubal's LyreGeorge Frideric Handel, Robert Sadin, Kathleen Battle, Anthony Newman, Krista Bennion Feeney, Nick Danielson, Todd Phillips, Carmit Zori, Charles Curtis
- Seufzer, Tränen, Kummer, Not from Ich hatte viel Bekümmernis, BWV 21 - VoiceJohann Sebastian Bach, Robert Sadin
- Schafe können from Was mir behagt, ist nur die muntre Jagd, BWV 208 - VoiceJohann Sebastian Bach, Robert Sadin
- Ave Maria, based on the Intermezzo from Cavalleria Rusticana - VoicePietro Mascagni, Robert Sadin
- Laudamus Te from Messa di Gloria - VoiceGioachino Rossini, Robert Sadin
- Bist du bei mir, BWV 508 (From "Notenbüchlein für Anna Magdelena Bach")Gottfried Heinrich Stölzel, Robert Sadin, Kathleen Battle, Anthony Newman, Charles Curtis
- Mein gläubiges Herze from Also hat Gott die Welt geliebt, BWV 68 - VoiceJohann Sebastian Bach, Robert Sadin
- Requiem, Op. 48: Pie JesuGabriel Fauré, Kathleen Battle, Robert Sadin, Anthony Newman, Donald Palma, Rebecca Young, Karen Dreyfus, Maureen Gallagher, Charles Curtis, Andre Emilianoff, Nancy Allen, Elizabeth Mann, David Singer, David Carroll
- Were You There When They Crucified My LordTraditional, Robert Sadin
- Flößt, mein Heiland from Weihnachts-Oratorium IV. Teil, BWV 248 - VoiceJohann Sebastian Bach, Robert Sadin
- Ave Maria - VoiceCharles Gounod, Kathleen Battle, Robert Sadin
About Kathleen Battle
Kathleen Battle, the acclaimed American operatic soprano, is renowned for her distinctive vocal range and tone, captivating audiences worldwide with her unique artistry. Born in Portsmouth, Ohio, Battle's journey began with concert performances in the 1970s, leading to her opera debut in 1975. Throughout the 1980s and early 1990s, she expanded her repertoire to include both lyric and coloratura soprano roles, earning five Grammy Awards and becoming one of the finest coloratura sopranos of her time. Known for her enchanting performances of sweet, serene, and ecstatic music, Battle's voice is often described as light, high, and airy, with a childlike readiness that mesmerizes audiences. Despite her dismissal from the Metropolitan Opera in 1994, Battle has continued to inspire and mentor young singers, returning to the Met stage in 2016 and 2024 for memorable performances. Her discography spans opera, choral, and classical genres, showcasing her remarkable talent and enduring legacy.
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