Granville Bantock's majestic masterpiece, 'Omar Khayyám', is a sweeping choral work that showcases the composer's remarkable facility, imagination, and inspired use of orchestral and vocal forces. This epic composition, scored for a large orchestra, chorus, and three solo vocalists, is a testament to Bantock's unique blend of influences, including Wagner, Rimsky-Korsakov, Tchaikovsky, Richard Strauss, and Brahms.
Originally written between 1906 and 1909, 'Omar Khayyám' is a setting of Edward FitzGerald's translation of the Rubaiyat of Omar Khayyam, a collection of poems attributed to the 11th-century Persian mathematician, astronomer, and poet. This complete recording, released in 2016 to commemorate the 70th anniversary of Bantock's death, features the BBC Symphony Orchestra and BBC Singers under the baton of Norman Del Mar.
The album is a sprawling, four-hour masterpiece that explores the depths of human existence, love, and mortality. With its lush orchestration and soaring vocal lines, 'Omar Khayyám' is a work of unbridled passion and beauty, transporting listeners to a world of mysticism and wonder. Granville Bantock's music, once neglected, is now recognised as a significant contribution to 20th-century classical music, and this recording is a powerful testament to his artistry.
Released on the Lyrita label, 'Granville Bantock: Omar Khayyám' is a must-listen for fans of classical music, particularly those interested in exploring the lesser-known works of a remarkable composer. With its rich soundscapes and profound emotional resonance, this album is an unforgettable experience that will leave a lasting impression on all who hear it.
Sir Granville Bantock (1868-1946) was a prominent British composer and academic whose influence on the musical landscape of Birmingham was profound. Born into a comfortable Victorian family as the son of a distinguished surgeon, Bantock's musical journey began at the Royal Academy of Music in London. His compositions, deeply influenced by folk song and the grandeur of Wagner, often explored Asian and Celtic themes, creating a unique and captivating sound.
Bantock's career was marked by significant milestones, including his appointment as the first full-time principal of the Birmingham and Midland Institute School of Music (now Birmingham Conservatoire) in 1900, and later as professor of music at Birmingham University, succeeding the renowned Edward Elgar. His works, such as "Atalanta in Calydon," "Omar Khayyam," and "Dante and Beatrice," are testament to his enduring legacy in the world of classical music. Despite the waning popularity of his music in his later years, Bantock's contributions to music education and his extensive body of work continue to inspire and influence.
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