Dive into the rich and diverse world of Baroque music with Christoph Graupner's "Graupner," a captivating collection of instrumental and vocal works released in 2002. This album, published by Analekta, offers a comprehensive journey through the compositions of one of the most prolific and influential composers of the early 18th century.
The album spans a variety of genres, from cantatas and concertos to sonatas and arias, showcasing Graupner's versatility and mastery of the Baroque style. The cantata "Ach Gott Und Herr" is a standout piece, featuring a mix of choral, recitative, and aria sections that highlight the composer's ability to blend vocal and instrumental elements seamlessly. The concerto for bassoon, two violins, alto, and continuo in B-flat major is another gem, with its three movements offering a delightful interplay of instruments.
The sonatas on this album are equally impressive. The sonata for harpsichord and violin in G minor is a delicate and expressive work, while the sonata "A Quattro" in G major showcases Graupner's skill in writing for larger ensembles. The album also includes selections from the opera "Dido, Königin Von Carthago," providing a taste of Graupner's dramatic and theatrical side.
The recorder concerto in F major is a delightful addition, with its lively allegro and soothing andante movements. Each piece on this album is performed with precision and passion, bringing Graupner's music to life in a way that is both authentic and accessible.
Whether you are a seasoned Baroque enthusiast or a newcomer to the genre, "Graupner" offers a rich and rewarding listening experience. With a duration of just over an hour, this album is perfect for those who appreciate the intricate harmonies, melodic beauty, and historical significance of Baroque music.
(C) 2002 Analekta(P) 2002 Analekta
Tracks
Cantate "Ach Gott Und Herr" Pour Le 3e Dimanche Après La Trinité: I. ChoralChristoph Graupner, Mathieu Lussier, Natalie Michaud, Ingrid Schmithusen, Geneviève Soly, Les idées heureuses
Cantate "Ach Gott Und Herr" Pour Le 3e Dimanche Après La Trinité: II. RecitativoChristoph Graupner, Mathieu Lussier, Natalie Michaud, Ingrid Schmithusen, Geneviève Soly, Les idées heureuses
Cantate "Ach Gott Und Herr" Pour Le 3e Dimanche Après La Trinité: III. AriaChristoph Graupner, Mathieu Lussier, Natalie Michaud, Ingrid Schmithusen, Geneviève Soly, Les idées heureuses
Cantate "Ach Gott Und Herr" Pour Le 3e Dimanche Après La Trinité: IV. Recitativo SeccoChristoph Graupner, Mathieu Lussier, Natalie Michaud, Ingrid Schmithusen, Geneviève Soly, Les idées heureuses
Cantate "Ach Gott Und Herr" Pour Le 3e Dimanche Après La Trinité: V. AriaChristoph Graupner, Mathieu Lussier, Natalie Michaud, Ingrid Schmithusen, Geneviève Soly, Les idées heureuses
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340 340 (Moderato): I. ModeratoChristoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340: II. AffetuosoChristoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses
Concerto Pour Basson, Deux Violons, Alto Et Basse Continue En Si Bémol Majeur, GWV 340: III. AllegroChristoph Graupner, Mathieu Lussier, Natalie Michaud, Geneviève Soly, Les idées heureuses
Sonata for Harpsichord and Violin in G Minor, GWV 711: I. LargoChristoph Graupner, Geneviève Soly, Les idées heureuses
Sonata for Harpsichord and Violin in G Minor, GWV 711: II. PrestoChristoph Graupner, Geneviève Soly, Les idées heureuses
Sonata for Harpsichord and Violin in G Minor, GWV 711: III. LargoChristoph Graupner, Geneviève Soly, Les idées heureuses
Sonata for Harpsichord and Violin in G Minor, GWV 711: IV. MenuetChristoph Graupner, Geneviève Soly, Les idées heureuses
Sonata "A Quattro" in G Major, GWV 212: I. AndanteChristoph Graupner, Geneviève Soly, Les idées heureuses
Sonata "A Quattro" in G Major, GWV 212: II. AllegroChristoph Graupner, Geneviève Soly, Les idées heureuses
Sonata "A Quattro" in G Major, GWV 212: III. AndanteChristoph Graupner, Geneviève Soly, Les idées heureuses
Sonata "A Quattro" in G Major, GWV 212: IV. AllegroChristoph Graupner, Geneviève Soly, Les idées heureuses
Dido, Königin Von Carthago : I. Recitativo - Act 1, scene 3Christoph Graupner, Mathieu Lussier, Natalie Michaud, Ingrid Schmithusen, Geneviève Soly, Les idées heureuses
Dido, Königin Von Carthago : II. Aria - Act 1, scene 3Christoph Graupner, Mathieu Lussier, Natalie Michaud, Ingrid Schmithusen, Geneviève Soly, Les idées heureuses
Dido, Königin Von Carthago: III. Aria - Act 1, scene 1Christoph Graupner, Mathieu Lussier, Natalie Michaud, Ingrid Schmithusen, Geneviève Soly, Les idées heureuses
Dido, Königin Von Carthago: IV. Aria - Act 3, scene 3Christoph Graupner, Mathieu Lussier, Natalie Michaud, Ingrid Schmithusen, Geneviève Soly, Les idées heureuses
Recorder Concerto in F major, GWV 323: I. AllegroChristoph Graupner, Natalie Michaud, Geneviève Soly, Les idées heureuses
Recorder Concerto in F major, GWV 323: II. AndanteChristoph Graupner, Natalie Michaud, Geneviève Soly, Les idées heureuses
Recorder Concerto in F major, GWV 323: III. AndanteChristoph Graupner, Natalie Michaud, Geneviève Soly, Les idées heureuses
Christoph Graupner, born in 1683, was a prolific German composer and harpsichordist of the late Baroque era, standing shoulder to shoulder with contemporaries like Johann Sebastian Bach and Georg Philipp Telemann. Graupner's musical journey is marked by his impressive tenure as Kapellmeister at the court of Darmstadt, a position he held from 1711 until his death in 1760. His extensive body of work includes a staggering 1,442 cantatas, many of which are yet to be fully explored and appreciated. Despite his prolific output, Graupner remains one of the more overlooked figures of the Baroque period. His compositions, ranging from overture-suites to concertos and cantatas, showcase his mastery of the Baroque style and his ability to create deeply engaging and emotionally resonant music. Graupner's near-miss appointment as the cantor of St. Thomas' Church in Leipzig, a position that ultimately went to Bach, adds a layer of intrigue to his story, hinting at the competitive and dynamic musical landscape of the time.
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Christoph Graupner
