graupner: complete cantatas for two sopranos and bass - christoph graupner
Graupner: Complete Cantatas for two sopranos and bass
Christoph Graupner
2023
33 tracks
1 uur, 18 min
Album Description
Immerse yourself in the rich tapestry of Baroque music with Christoph Graupner's "Complete Cantatas for Two Sopranos and Bass," a stunning collection released on April 21, 2023, by CPO. This album showcases the mastery of Christoph Graupner, a contemporary of Johann Sebastian Bach, offering a unique perspective on the cantata form with its dual soprano and bass lineup.
Spanning a duration of 1 hour and 18 minutes, this album features a diverse array of cantatas, each meticulously crafted to highlight the vocal prowess of the performers. The tracklist includes works such as "Ein jeglicher sei gesinnet," "Zerfließ', mein Herz, in Blut," and "Christ lag in Todesbanden," each piece a testament to Graupner's compositional skill and theological depth. The cantatas explore themes of faith, redemption, and spiritual reflection, providing a profound listening experience.
Graupner's cantatas are known for their intricate harmonies and expressive melodies, making this collection a treasure trove for enthusiasts of Baroque music. The album's release date was initially listed as June 2, 2023, but it was made available earlier, allowing listeners to enjoy these timeless pieces sooner. Whether you are a seasoned fan of Baroque music or a newcomer to the genre, this album offers a captivating journey through the musical landscape of the early 18th century.
2023 CPO2023 CPO
Tracks
Ein jeglicher sei gesinnet, GWV 1126/21: I. 1. Nr. 1 Coro "Ein jeglicher sei gesinnet"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg, Hanna Zumsande, Dominik Worner
Ein jeglicher sei gesinnet, GWV 1126/21: II. 2. Nr. 2 Recitativo "Vollkomm'nes Bild"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Hanna Zumsande
Ein jeglicher sei gesinnet, GWV 1126/21: III. 3. Nr. 3 Aria "Entfernt euch, stolze Welt-Gedanken"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Hanna Zumsande
Ein jeglicher sei gesinnet, GWV 1126/21: IV. 4. Nr. 4 Accompagnato "Ach, nichts mag Jesus Demut gleichen"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg
Ein jeglicher sei gesinnet, GWV 1126/21: V. 5. Nr. 5 Choral "Zu viel, ach, gar zu viel"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg, Hanna Zumsande, Dominik Worner
Ein jeglicher sei gesinnet, GWV 1126/21: VI. 6. Nr. 6 Aria "Süßer Jesu"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Dominik Worner
Ein jeglicher sei gesinnet, GWV 1126/21: VII. 7. Nr. 7 Recitativo "Du gibst uns, Jesu, solche Proben"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Dominik Worner
Ein jeglicher sei gesinnet, GWV 1126/21: VIII. 8. Nr. 8 Choral "Entzünd' in mir die Andachtsbrunst"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg, Hanna Zumsande, Dominik Worner
Zerfließ', mein Herz, in Blut, GWV 1127/20: IX. 9. Nr. 1 Coro "Zerfließ', mein Herz, in Blut"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg, Hanna Zumsande, Dominik Worner
Zerfließ', mein Herz, in Blut, GWV 1127/20: X. 10. Nr. 2 Recitativo "Es foltert meinen Geist"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg
Zerfließ', mein Herz, in Blut, GWV 1127/20: XI. 11. Nr. 3 Arioso "Ach, es schmerzt mich freilich sehr"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Hanna Zumsande
Zerfließ', mein Herz, in Blut, GWV 1127/20: XII. 12. Nr. 4 Aria "Jesu Leiden, Pein und Tod"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg
Zerfließ', mein Herz, in Blut, GWV 1127/20: XIII. 13. Nr. 5 Recitativo "Was gibt uns Gottes Liebe nicht!"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Dominik Worner
Zerfließ', mein Herz, in Blut, GWV 1127/20: XIV. 14. Nr. 6 Arioso "Ach, es schmerzt mich freilich sehr"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Hanna Zumsande, Dominik Worner
Zerfließ', mein Herz, in Blut, GWV 1127/20: XV. 15. Nr. 7 Coro "Könnt' ich jetzt mit Jesu sterben"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg, Hanna Zumsande, Dominik Worner
Nun ist auferstanden, GWV 1128/21: XVI. 16. Nr. 1 Choral "Nun ist auferstanden"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg, Hanna Zumsande, Dominik Worner
Nun ist auferstanden, GWV 1128/21: XVII. 17. Nr. 2 Recitativo "Frohlocke, hocherfreutes Herz!"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Hanna Zumsande
Nun ist auferstanden, GWV 1128/21: XVIII. 18. Nr. 3 Aria "Hemme die Tränen, geängstigte Seele!"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Hanna Zumsande
Nun ist auferstanden, GWV 1128/21: XIX. 19. Nr. 4 Dictum "Gott aber sei Dank"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg, Hanna Zumsande, Dominik Worner
Nun ist auferstanden, GWV 1128/21: XX. 20. Nr. 5 Recitativo "Recht unvergleichlich ist der Segen"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Dominik Worner
Nun ist auferstanden, GWV 1128/21: XXI. 21. Nr. 6 Aria "Jesus lebt"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Dominik Worner
Nun ist auferstanden, GWV 1128/21: XXII. 22. Nr. 7 Choral "O der großen Freude!"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg, Hanna Zumsande, Dominik Worner
Christ lag in Todesbanden, GWV 1130/21: XXIII. 23. Nr. 1 Choral "Christ lag in Todesbanden"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg, Hanna Zumsande, Dominik Worner
Christ lag in Todesbanden, GWV 1130/21: XXIV. 24. Nr. 2 Aria "Mein Heiland lebt"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Dominik Worner
Christ lag in Todesbanden, GWV 1130/21: XXV. 25. Nr. 3 Coro "Wer will verdammen"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg, Hanna Zumsande, Dominik Worner
Christ lag in Todesbanden, GWV 1130/21: XXVI. 26. Nr. 4 Aria "Jesus Leiden, Pein und Sterben"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg
Christ lag in Todesbanden, GWV 1130/21: XXVII. 27. Nr. 5 Recitativo "Und solches Heil"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg
Christ lag in Todesbanden, GWV 1130/21: XXVIII. 28. Nr. 6 Choral "So feiern wir das hohe Fest"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg, Hanna Zumsande, Dominik Worner
Du schönes Wohnhaus, GWV 1133/20: XXIX. 29. Nr. 1 Aria "Du schönes Wohnhaus"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg
Du schönes Wohnhaus, GWV 1133/20: XXX. 30. Nr. 2 Recitativo "Was ist die Welt?"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Dominik Worner
Du schönes Wohnhaus, GWV 1133/20: XXXI. 31. Nr. 3 Aria "Unbefleckte Tugendkrone"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Dominik Worner
Du schönes Wohnhaus, GWV 1133/20: XXXII. 32. Nr. 4 Recitativo "Ach ja, ein reines Tugendleben"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Hanna Zumsande
Du schönes Wohnhaus, GWV 1133/20: XXXIII. 33. Nr. 5 Coro "Wir schweben hier"Christoph Graupner, Florian Heyerick, Kirchheimer BachConsort, Marie Luise Werneburg, Hanna Zumsande, Dominik Worner
Christoph Graupner, born in 1683, was a prolific German composer and harpsichordist of the late Baroque era, standing shoulder to shoulder with contemporaries like Johann Sebastian Bach and Georg Philipp Telemann. Graupner's musical journey is marked by his impressive tenure as Kapellmeister at the court of Darmstadt, a position he held from 1711 until his death in 1760. His extensive body of work includes a staggering 1,442 cantatas, many of which are yet to be fully explored and appreciated. Despite his prolific output, Graupner remains one of the more overlooked figures of the Baroque period. His compositions, ranging from overture-suites to concertos and cantatas, showcase his mastery of the Baroque style and his ability to create deeply engaging and emotionally resonant music. Graupner's near-miss appointment as the cantor of St. Thomas' Church in Leipzig, a position that ultimately went to Bach, adds a layer of intrigue to his story, hinting at the competitive and dynamic musical landscape of the time.