Immerse yourself in the enchanting world of Baroque music with Christoph Graupner's "Lass mein Herz," a captivating album released on February 16, 2018, by Accent. This exquisite collection showcases the mastery of one of the era's most prolific composers, offering a rich tapestry of vocal and instrumental works that highlight Graupner's unique voice and technical brilliance.
The album features a diverse selection of cantatas, orchestral suites, and concertos, each piece meticulously performed by the Harmonie Universelle ensemble and a stellar cast of vocalists, including the renowned soprano Dorothee Mields. The disc opens with the moving cantata "Reiner Geist, lass doch mein Herz," a work that exemplifies Graupner's ability to blend profound spirituality with musical elegance. The orchestral suite in E minor follows, showcasing the composer's skill in crafting lively and engaging instrumental music.
"Verleih, dass ich aus Herzensgrund" and "Ach Gott, wie manches Herzeleid" are among the other cantatas featured, each offering a glimpse into Graupner's deep understanding of the human condition and his ability to express it through music. The album also includes the Concerto for 2 Violins in G Minor, a work that demonstrates Graupner's mastery of the concerto form and his ability to create intricate and beautiful musical dialogues.
With a duration of 1 hour and 20 minutes, "Lass mein Herz" is a comprehensive exploration of Graupner's musical genius, making it an essential addition to any classical music enthusiast's collection. The album's high production values and the exceptional performances by the Harmonie Universelle and its soloists ensure that this recording stands out as a testament to Graupner's enduring legacy.
Reiner Geist, lass doch mein Herz, GWV 1138/11: No. 7, Ich recke schon die matten HändeChristoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Orchestral Suite in E Minor, GWV 442: I. OuvertüreChristoph Graupner, Monica Waisman, Florian Deuter, Harmonie Universelle
Orchestral Suite in E Minor, GWV 442: II. RondeauChristoph Graupner, Monica Waisman, Florian Deuter, Harmonie Universelle
Orchestral Suite in E Minor, GWV 442: III. MenuetChristoph Graupner, Monica Waisman, Florian Deuter, Harmonie Universelle
Orchestral Suite in E Minor, GWV 442: IV. LoureChristoph Graupner, Monica Waisman, Florian Deuter, Harmonie Universelle
Orchestral Suite in E Minor, GWV 442: V. AltChristoph Graupner, Monica Waisman, Florian Deuter, Harmonie Universelle
Orchestral Suite in E Minor, GWV 442: VI. GavotteChristoph Graupner, Monica Waisman, Florian Deuter, Harmonie Universelle
Orchestral Suite in E Minor, GWV 442: VII. GigueChristoph Graupner, Monica Waisman, Florian Deuter, Harmonie Universelle
Verleih, dass ich aus Herzensgrund, GWV 1114/16: No. 1, Verleih, dass ich aus HerzensgrundChristoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Verleih, dass ich aus Herzensgrund, GWV 1114/16: No. 2, Ja, freilich muss dein WortChristoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Verleih, dass ich aus Herzensgrund, GWV 1114/16: No. 3, Ich habe Jesum auch vonnötenChristoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Verleih, dass ich aus Herzensgrund, GWV 1114/16: No. 4, Mein Gott wird den ganz hart und grausam strafenChristoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Verleih, dass ich aus Herzensgrund, GWV 1114/16: No. 5, So bin ich Gottes KindChristoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Concerto for 2 Violins in G Minor, GWV 334: I. LargoChristoph Graupner, Monica Waisman, Florian Deuter, Harmonie Universelle
Concerto for 2 Violins in G Minor, GWV 334: II. AllegroChristoph Graupner, Monica Waisman, Florian Deuter, Harmonie Universelle
Concerto for 2 Violins in G Minor, GWV 334: III. SoaveChristoph Graupner, Monica Waisman, Florian Deuter, Harmonie Universelle
Concerto for 2 Violins in G Minor, GWV 334: IV. VivaceChristoph Graupner, Monica Waisman, Florian Deuter, Harmonie Universelle
Ach Gott, wie manches Herzeleid, GWV 1142/11: No. 1, Ach! Gott, wie manches HerzeleidChristoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Ach Gott, wie manches Herzeleid, GWV 1142/11: No. 2, Ihr Sterblichen, dies ist des Höchsten Lehre!Christoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Ach Gott, wie manches Herzeleid, GWV 1142/11: No. 3, Die Welt ist ein verwirrtes JammerhausChristoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Ach Gott, wie manches Herzeleid, GWV 1142/11: No. 4, Was ist demnach zu tunChristoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Ach Gott, wie manches Herzeleid, GWV 1142/11: No. 5, Im Kreuz an Gott gedenkenChristoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Ach Gott, wie manches Herzeleid, GWV 1142/11: No. 6, So mach', o Jesu, was du willstChristoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Ach Gott, wie manches Herzeleid, GWV 1142/11: No. 7, Wenn Himmel Welt und Erde brechenChristoph Graupner, Dorothee Mields, Monica Waisman, Florian Deuter, Harmonie Universelle
Christoph Graupner, born in 1683, was a prolific German composer and harpsichordist of the late Baroque era, standing shoulder to shoulder with contemporaries like Johann Sebastian Bach and Georg Philipp Telemann. Graupner's musical journey is marked by his impressive tenure as Kapellmeister at the court of Darmstadt, a position he held from 1711 until his death in 1760. His extensive body of work includes a staggering 1,442 cantatas, many of which are yet to be fully explored and appreciated. Despite his prolific output, Graupner remains one of the more overlooked figures of the Baroque period. His compositions, ranging from overture-suites to concertos and cantatas, showcase his mastery of the Baroque style and his ability to create deeply engaging and emotionally resonant music. Graupner's near-miss appointment as the cantor of St. Thomas' Church in Leipzig, a position that ultimately went to Bach, adds a layer of intrigue to his story, hinting at the competitive and dynamic musical landscape of the time.
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Christoph Graupner