Christoph Graupner's 'Per il Flauto' is a captivating album that showcases the composer's virtuosity and mastery of Baroque music. Released on 1 September 2009 by Berlin Classics, this collection of concertos, sonatas, and overtures features Graupner's exquisite works for the flute, expertly performed by Sabrina Frey and her ensemble ars musica Zürich.
With a duration of 1 hour and 7 minutes, this album takes the listener on a journey through Graupner's impressive repertoire, highlighting his unique style and flair. The tracklist includes a range of pieces, from the lively Concerto for Recorder, 2 Violins, Viola and Basso Continuo in F Major, GWV 323, to the beautiful Sonata for Flute, obbligato Harpsichord and Basso Continuo in G Major, GWV 708.
Graupner's music is characterised by its elegance, charm, and technical brilliance, making this album a must-listen for fans of Baroque music. The performances are outstanding, with Sabrina Frey's expressive and virtuosic playing bringing Graupner's compositions to life. This album is a testament to Graupner's skill as a composer and his ability to craft music that is both beautiful and engaging.
Featuring 27 tracks, including two first recordings, 'Per il Flauto' is a comprehensive and delightful collection of Graupner's works. The album is a celebration of the composer's 250th anniversary and a tribute to his enduring legacy. With its stunning performances and exquisite music, 'Per il Flauto' is an album that will appeal to music lovers of all ages and backgrounds, and is a wonderful introduction to the music of Christoph Graupner.
Christoph Graupner, born in 1683, was a prolific German composer and harpsichordist of the late Baroque era, standing shoulder to shoulder with contemporaries like Johann Sebastian Bach and Georg Philipp Telemann. Graupner's musical journey is marked by his impressive tenure as Kapellmeister at the court of Darmstadt, a position he held from 1711 until his death in 1760. His extensive body of work includes a staggering 1,442 cantatas, many of which are yet to be fully explored and appreciated. Despite his prolific output, Graupner remains one of the more overlooked figures of the Baroque period. His compositions, ranging from overture-suites to concertos and cantatas, showcase his mastery of the Baroque style and his ability to create deeply engaging and emotionally resonant music. Graupner's near-miss appointment as the cantor of St. Thomas' Church in Leipzig, a position that ultimately went to Bach, adds a layer of intrigue to his story, hinting at the competitive and dynamic musical landscape of the time.
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