Wozzeck, Op. 16, Scene 1: Langsam, Wozzeck, langsam! (Hauptman, Wozzeck, Chorus)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 2: Du, der Platz ist verflucht! (Wozzeck, Andres)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 3: He Bub! Sasa! Rarara! Da kommen sie! - Madel, was fangst du jetzt an? - Wer da? Bist du's Franz? Komm herein!Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 4: Marie! Geh einmal vor dich hin (Tambourmajor, Marie, Chorus)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 5: Wie die Steine glanzen! (Marie, Wozzeck) - Unter deinen Fingern glanzt's ja [Wozzeck, Marie]Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 6: Wohin so eilig, geehrtester Herr Sargnagel? (Hauptmann, Doktor, Wozzeck)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 7: Gutten Tag, Franz (Hauptmann, Doktor, Wozzeck)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 8: Frau Wirtin hat eine brave Magd (Andres, Wozzeck, Chorus)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 9: Ein Jager aus der Pfalz ritt einst durch einen grunen Wald (Chorus, Wozzeck, Marie)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 10: Immerzu! Immerzu! Still, Musik! (Wozzeck)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 11: Andres! Andres! Ich kann nicht schlafen! (Wozzeck, Andres)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 12: Ich bin ein Mann! Ich hab' ein Weibsbild (Tambourmajor, Andres, Wozzeck)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 13: Und ist kein Betrug in seinem Munde erfunden worden (Marie)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 14: Das Pistolchen ist zu teuer (Wozzeck, Ein Jude)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 15: Wie heute schon die Sonne scheint - Es war einmal ein arm KindManfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 16: Das Kamisolchen, Andres, gehort mit zur Montur (Wozzeck, Andres)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 17: Dort links geht's in die Stadt (Marie, Wozzeck)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16, Scene 18: Das Messer! Wo ist das Messer! (Wozzeck, Burger)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
Wozzeck, Op. 16: Epilogue. Wir arme Leut (Chorus)Manfred Gurlitt, Roland Hermann, Celina Lindsley, Anton Scharinger, Jorg Gottschick, Robert Worle, Endrik Wottrich, Christiane Berggold, Reinhart Ginzel, Gabriele Schreckenbach, Regina Schudel, RIAS Kammerchor, Berlin Radio Children's Choir, Deutsches Symphonie-Orchester Berlin, Gerd Albrecht
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Album Description
(C) 1995 Capriccio(P) 1995 Capriccio
Manfred Gurlitt's "Wozzeck" is a gripping, operatic masterpiece that delves into the darker aspects of human nature and societal struggles. Released on January 1, 1995, under the Capriccio label, this album is a testament to Gurlitt's compositional prowess and his ability to convey complex narratives through music. Spanning a duration of 1 hour and 13 minutes, the album is a comprehensive exploration of Alban Berg's opera "Wozzeck," adapted and orchestrated by Gurlitt himself.
The album features a series of scenes that follow the tragic story of Wozzeck, a soldier tormented by his superiors and driven to madness. Each track is a vignette, rich with dramatic tension and emotional depth, showcasing Gurlitt's skill in capturing the essence of each character and their interactions. The chorus and soloists bring the narrative to life, their performances underscored by Gurlitt's evocative and often haunting musical score.
From the ominous opening scene to the chilling finale, "Wozzeck" is a powerful and immersive listening experience. Gurlitt's adaptation remains faithful to the original opera's themes of poverty, mental illness, and the dehumanizing effects of societal pressures, while also offering a unique perspective through his distinctive compositional style. This album is a must-listen for fans of classical music, opera, and those who appreciate the dramatic and the profound.