Dive into the intricate and captivating world of Hans Werner Henze's "In lieblicher Bläue," a masterful exploration of chamber music that blends avant-garde and neoclassical elements. Released in 2012 by the esteemed label wergo, this album is a testament to Henze's unique musical vision and his deep engagement with the poetry of Friedrich Hölderlin.
The centerpiece of the album is "Kammermusik 1958," a sprawling cycle of vocal and instrumental pieces inspired by Hölderlin's hymn "In lieblicher Bläue." This work, scored for tenor, guitar, and eight solo instruments, showcases Henze's ability to weave complex musical textures with profound lyrical depth. The ensemble, led by the talented Jörg-Peter Mittmann, brings a nuanced and expressive performance that highlights the intricate interplay between the vocal and instrumental parts.
The album features 15 tracks, each offering a distinct musical journey. From the contemplative "Prefazione" to the ethereal "In lieblicher Bläue" and the introspective "Möcht ich ein Komet sein?", every piece is a testament to Henze's mastery of composition. The guitar solos, interspersed throughout the work, add a layer of intimacy and reflection, while the ensemble's performance brings a sense of grandeur and sophistication.
"In lieblicher Bläue" is not just a collection of songs; it is a cohesive musical narrative that invites listeners to immerse themselves in the rich tapestry of Henze's musical language. Whether you are a seasoned classical music enthusiast or a curious explorer of avant-garde sounds, this album offers a rewarding and enriching listening experience. With its blend of poetic sensitivity and musical innovation, "In lieblicher Bläue" stands as a significant contribution to the world of contemporary classical music.
Vinylscout