"Harbors," released on August 14, 2020, is a captivating collaboration between composers Ellen Fullman and Theresa Wong, blending the ethereal sounds of Fullman's Long String Instrument with Wong's expressive cello. This 43-minute album, presented by Room 40, is a sonic exploration inspired by the atmospheric narratives and soundscapes that emerge around bodies of water, places of exchange and reflection.
The album is divided into three continuous parts, each offering a unique immersion into the collaborative sound world of Fullman and Wong. "Harbors Part 1" sets the stage with a 20-minute journey through delicate textures and subtle resonances, while "Harbors Part 2" and "Harbors Part 3" build upon this foundation, delving deeper into the intricate interplay between the two instruments. The genres of drone, minimalism, avant-garde, and experimental music converge here, creating a cohesive and immersive listening experience.
Ellen Fullman, known for her innovative Long String Instrument, and Theresa Wong, a versatile cellist and composer, have crafted an album that is as evocative as it is experimental. "Harbors" invites listeners to contemplate the subtle dialogues between nature and human experience, making it a standout release in the realm of contemporary experimental music.
Ellen Fullman is an American composer and instrument builder renowned for her innovative and immersive musical creations. Born in Memphis, Tennessee, and currently based in the San Francisco Bay Area, Fullman's artistic journey began in the 1980s when she invented the Long String Instrument. This monumental installation consists of up to 100 wires stretched over great lengths, tuned in just intonation, and played with rosin-coated fingers. The instrument, which is as much an art installation as it is a sound-making device, has resonated in architectural spaces across the globe, from the Berkeley Art Museum to festivals in France and Australia.
Fullman's work is deeply rooted in experimental and avant-garde traditions, drawing influences from the blues, rock, and soul of her Southern upbringing, as well as the compositions of Harry Partch. Her performances with the Long String Instrument create a mesmerizing blend of drone and minimalist textures, inviting audiences into a unique sonic experience. Beyond her signature instrument, Fullman has also scored dance pieces and collaborated with other artists, continually pushing the boundaries of musical expression. Her dedication to intonation tuning theory, string harmonics, and instrument design has made her a pioneering figure in the world of experimental music.
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