Immerse yourself in the baroque grandeur of Johann Adolf Hasse's "Didone Abbandonata," a powerful and dramatic opera that showcases the composer's mastery of the genre. Released in 2013 on the Naxos label, this album is a testament to Hasse's enduring legacy in the world of classical music.
"Didone Abbandonata" is a compelling retelling of the tragic love story of Dido and Aeneas, set to Hasse's exquisite music. The opera is divided into three acts, each filled with arias, recitatives, and ensemble pieces that highlight the dramatic tension and depth of the characters. The album spans nearly two and a half hours, offering a rich and immersive experience for classical music enthusiasts.
Hasse, a prominent figure in the Baroque era, was known for his operatic works, and "Didone Abbandonata" is a prime example of his skill in crafting memorable melodies and intricate harmonies. The album features a stellar cast of vocalists who bring the characters to life with their powerful performances, accompanied by a period-appropriate orchestra that adds authenticity to the sound.
This recording is a valuable addition to any classical music collection, offering a rare opportunity to experience one of Hasse's most celebrated operas in its entirety. The detailed tracklist includes a variety of arias and scenes that showcase the opera's dramatic range, from tender love duets to intense confrontations.
Whether you are a seasoned opera lover or new to the genre, "Didone Abbandonata" by Johann Adolf Hasse is a captivating journey through the world of Baroque opera. The album's rich musical tapestry and compelling storytelling make it a standout release in the classical music catalog.
2013 Naxos2013 Naxos
Tracks
Didone abbandonata: SinfoniaJohann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 1: No principessa (Enea, Selene, Osmida) - Scene 2: Che a te non pensi (Didone, Enea) - Scene 3: Parte cosi (Didone, Selene, Osmida)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 3: Aria: Diro che fida sei (Selene) - Scene 4: Didone, il re de' Mori (Iarba, Araspe, Osmida, Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 5: Aria: Son regina e sono amante (Didone) - Scene 5: Araspe, alla vendetta (Iarba, Osmida, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 5: Aria: Tu mi scorgi al gran disegno (Osmida) - Scene 6: Gia tel dissi, o Selene (Selene, Enea) - Scene 7: Stranier, dimmi; chi sei? (Iarba, Araspe, Enea, Selene)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 7: Aria: Quando saprai chi sono si fiero non sarai (Enea) - Scene 8: Non partira se pria… (Iarba, Selene) - Scene 9: Non e piu tempo (Iarba, Araspe, Osmida) - Scene 10: Ecco il rival (Iarba, Araspe, Enea) - Scene 11: Siam traditi, o regina (Osmida, Didone, Araspe, Iarba, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 11: Aria: Tu mi disarmi il fianco (Iarba) - Scene 12: Enea, salvo gia sei dalla crudel ferita (Didone, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 12: Aria: Non ha ragione, ingrato, un core abbandonato da chi giuro gli fe? (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act I Scene 13: Accompanied Recitative and Aria: A le mie amorose folie… Se resto sul lido (Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 1: Indegno, t'offerisci al mio sdegno e non paventi! (Iarba, Araspe) - Scene 2: Chi sciolse (Selene, Araspe, Iarba)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 2: Aria: Leon, ch'errando vada (Iarba) - Scene 3: Ah contro Enea v'e qualche frode ordita (Selene, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 3: Aria: Ogni amator suppone (Selene) - Scene 4: Tu dici ch'io non speri (Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 4: Aria: L'augeletto in lacci stretto perche mai cantar si ascolta? (Araspe) - Scene 5: Gia so che si nasconde… (Didone, Osmida, Selene) - Scene 6: Come! Ancor non partisti? (Didone, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 6: Aria: Ah! Non lasciarmi, no (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 7: Fra il dovere e l'affetto (Enea, Araspe) - Scene 8: Risparmia al tuo gran core (Iarba, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 8: Aria: Vedi nel mio perdono, perfido traditor (Enea) - Scene 9: Tanto ardir nella reggia? (Selene, Enea, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 9: Aria: Tacero, se tu lo brami (Araspe) - Scene 10: Ah generoso Enea (Selene, Enea)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 10: Aria: Veggio la sponda, sospiro il lido (Selene) - Scene 11: Ad ascoltar di nuovo i rimpoveri tuoi vengo (Enea, Didone) - Scene 12: Didone, a che mi chiedi? (Iarba, Didone, Enea) - Scene 13: Senti. - Lascia che parta (Didone, Iarba)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 13: Aria: Chiamami pur cosi (Iarba) - Scene 14: E pure in mezzo all'ire (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act II Scene 14: Aria: Va lusingando amore il credulo mio core (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 1: Gia di Iarba in difesa (Osmida, Araspe) - Scene 2: Non son contento (Iarba, Osmida, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 2: Aria: Quando l'onda che nasce dal monte (Osmida) - Scene 3: Addio Selene (Enea, Selene)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 3: Aria: A trionfar mi chiama un bel desio d'onore (Enea) - Scene 4: O dio, germana! (Selene, Didone) - Scene 5: Araspe in queste soglie! (Didone, Araspe)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 5: Aria: Gia si desta la tempesta (Araspe) - Scene 6: Fuggi, o regina (Selene, Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 6: Aria: Ombra Cara, ombra tradita (Didone) - Scene 7: Fermati (Iarba, Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Didone abbandonata: Act III Scene 7: Aria: Cadra fra poco in cenere il suo nascente impero (Iarba) - Scene 8: Numi, onde l'ira in sen tutta mi piomba (Didone, Selene, Araspe) - Final Scene: Ah che dissi, infelice! (Didone)Johann Adolf Hasse, Theresa Holzhauser, Flavio Ferri-Benedetti, Valer Barna-Sabadus, Magdalena Hinterdobler, Maria Celeng, Andreas Burkhart, Hofkapelle Munchen, Michael Hofstetter
Johann Adolf Hasse, born in 1699 in Bergedorf, near Hamburg, was a towering figure in the world of 18th-century music, renowned for his operatic compositions that captivated audiences across Europe. A prolific composer, singer, and music teacher, Hasse's operatic works were immensely popular, and he was a key figure in the development of opera seria. His collaboration with the celebrated librettist Pietro Metastasio further enriched his operatic repertoire, making him a pivotal figure in the musical landscape of his time. Hasse's career spanned various European courts and theaters, including prestigious venues in Dresden, Venice, and Naples. Beyond his operatic achievements, Hasse also composed a significant amount of sacred music, showcasing his versatility and depth as a composer. His legacy endures, celebrated for his contributions to the late Baroque and early Classical periods.