Immerse yourself in the timeless beauty of classical choral music with Elizabeth Vaughan's captivating album, "Haydn: Nelson Mass – Vivaldi: Gloria – Handel: Zadok the Priest." Released in 2000 under the Decca Music Group Ltd. label, this album is a stunning collection of sacred choral works that showcase Vaughan's exquisite soprano voice alongside the London Symphony Orchestra.
The album opens with Haydn's powerful "Nelson Mass" in D Minor, a composition that reflects the composer's admiration for Admiral Horatio Nelson. The mass is a masterful blend of solemnity and triumph, with Vaughan's voice soaring above the orchestra in the "Kyrie" and "Gloria" movements. The "Credo" and "Sanctus" movements are particularly noteworthy, showcasing the full power and range of Vaughan's voice.
Following the "Nelson Mass," the album transitions to Vivaldi's exuberant "Gloria" in D Major. This work is a celebration of joy and praise, with Vaughan's voice shining in the "Laudamus te" and "Domine Deus" movements. The "Qui tollis peccata mundi" movement is a standout, with Vaughan's voice blending seamlessly with the orchestra in a powerful expression of repentance and redemption.
The album concludes with Handel's majestic "Zadok the Priest," a coronation anthem that has been performed at every British coronation since 1727. Vaughan's voice is a highlight in this work, with her powerful delivery of the "Zadok the Priest" and "Let thy hand be strengthened" movements leaving a lasting impression.
With a total runtime of 1 hour and 15 minutes, this album is a testament to the enduring power of classical choral music. Whether you're a seasoned fan of the genre or a newcomer looking to explore its depths, Elizabeth Vaughan's "Haydn: Nelson Mass – Vivaldi: Gloria – Handel: Zadok the Priest" is sure to captivate and inspire.
Mass in D Minor, Hob. XXII:11 "Nelson Mass": I. KyrieJoseph Haydn, Sylvia Stahlman, Helen Watts, Wilfred Brown, Tom Krause, Simon Preston, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks
Mass in D Minor, Hob. XXII:11 "Nelson Mass": IIa. Gloria in excelsis DeoJoseph Haydn, Sylvia Stahlman, Helen Watts, Wilfred Brown, Tom Krause, Simon Preston, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks
Mass in D Minor, Hob. XXII:11 "Nelson Mass": IIb. Qui tollis peccata mundiJoseph Haydn, Sylvia Stahlman, Wilfred Brown, Simon Preston, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks
Mass in D Minor, Hob. XXII:11 "Nelson Mass": IIc. Quoniam tu solus sanctusJoseph Haydn, Sylvia Stahlman, Helen Watts, Wilfred Brown, Tom Krause, Simon Preston, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks
Mass in D Minor, Hob. XXII:11 "Nelson Mass": IIIa. Credo in unum DeumJoseph Haydn, Choir of King's College, Cambridge, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Mass in D Minor, Hob. XXII:11 "Nelson Mass": IIIb. Et incarnatus estJoseph Haydn, Sylvia Stahlman, Helen Watts, Wilfred Brown, Tom Krause, Simon Preston, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks
Mass in D Minor, Hob. XXII:11 "Nelson Mass": IIIc. Et resurrexitJoseph Haydn, Sylvia Stahlman, Simon Preston, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks
Mass in D Minor, Hob. XXII:11 "Nelson Mass": IV. SanctusJoseph Haydn, Simon Preston, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks
Mass in D Minor, Hob. XXII:11 "Nelson Mass": V. BenedictusJoseph Haydn, Sylvia Stahlman, Helen Watts, Wilfred Brown, Tom Krause, Simon Preston, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks
Mass in D Minor, Hob. XXII:11 "Nelson Mass": VIa. Agnus DeiJoseph Haydn, Sylvia Stahlman, Helen Watts, Wilfred Brown, Tom Krause, Simon Preston, London Symphony Orchestra, Sir David Willcocks
Mass in D Minor, Hob. XXII:11 "Nelson Mass": VIb. Dona nobis pacemJoseph Haydn, Simon Preston, Choir of King's College, Cambridge, London Symphony Orchestra, Sir David Willcocks
Gloria, RV 589: I. Gloria in excelsis DeoAntonio Vivaldi, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks
Gloria, RV 589: II. Et in terra paxAntonio Vivaldi, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks
Gloria, RV 589: III. Laudamus teAntonio Vivaldi, Elizabeth Vaughan, Janet Baker, Academy of St. Martin in the Fields, Sir David Willcocks
Gloria, RV 589: IV. Gratias agimus tibiAntonio Vivaldi, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks
Gloria, RV 589: V. Propter magnam gloriam tuamAntonio Vivaldi, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks
Gloria, RV 589: VI. Domine Deus, Rex caelestisAntonio Vivaldi, Elizabeth Vaughan, Academy of St. Martin in the Fields, Sir David Willcocks
Gloria, RV 589: VII. Domine Fili unigeniteAntonio Vivaldi, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks
Gloria, RV 589: VIII. Domine Deus, Agnus DeiAntonio Vivaldi, Janet Baker, Academy of St. Martin in the Fields, Sir David Willcocks
Gloria, RV 589: IX. Qui tollis peccata mundiAntonio Vivaldi, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks
Gloria, RV 589: X. Qui sedes ad dexteram PatrisAntonio Vivaldi, Janet Baker, Academy of St. Martin in the Fields, Sir David Willcocks
Gloria, RV 589: XI. Quoniam tu solus sanctusAntonio Vivaldi, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks
Gloria, RV 589: XII. Cum Sancto SpirituAntonio Vivaldi, Choir of King's College, Cambridge, Academy of St. Martin in the Fields, Sir David Willcocks
Zadok the Priest, Coronation Anthem No. 1, HWV 258George Frideric Handel, Choir of King's College, Cambridge, English Chamber Orchestra, Sir David Willcocks
Elizabeth Vaughan is a versatile artist whose work spans the realms of opera and choral music. With a career that includes notable performances such as Leonore in Beethoven's "Fidelio," Vaughan brings a powerful presence to the stage. Her contributions to the musical world are marked by a dedication to both traditional and contemporary works, making her a standout figure in the classical music scene. Beyond her musical talents, Vaughan's life and career are a testament to her commitment to her craft, leaving a lasting impact on her audience.
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Elizabeth Vaughan
