Immerse yourself in the rich, dramatic world of William Hayes' "The Passions," a masterful dramatic oratorio that blends the grandeur of the late Baroque era with the elegance of the style galante. This captivating work, released in 2010 by Glossa, showcases Hayes' significant talent and his admiration for Handel, offering a unique perspective on the human passions through a series of vivid musical depictions.
Comprising two parts, "The Passions" explores a range of human emotions, from fear and anger to hope and joy. Each passion is brought to life through a combination of recitatives, arias, and choral pieces, accompanied by the exquisite playing of La Cetra Barockorchester and the powerful voices of the Chor der Schola Cantorum Basiliensis, all under the skilled direction of Anthony Rooley. Soloists Evelyn Tubb and Ulrike Hofbauer deliver stunning performances, adding depth and nuance to Hayes' evocative score.
The album opens with a sweeping overture, setting the stage for the dramatic journey that follows. Throughout the work, Hayes' mastery of counterpoint and harmony is evident, as is his ability to create vivid musical landscapes that transport the listener to another time and place. From the haunting beauty of "With woeful measures" to the triumphant chorus of "He with viney crown advancing," each track is a testament to Hayes' compositional skill and his deep understanding of the human condition.
William Hayes, who spent much of his career in Oxford, was a renowned organist and Professor of Music at the University of Oxford. His work on "The Passions" is a testament to his enduring legacy and his significant contribution to the world of Baroque music. This album is a wonderful opportunity to discover the work of this talented composer and to experience the power and beauty of his music.
William Hayes, an 18th-century composer and music professor, was a prominent figure in the Baroque music scene, particularly in Oxford. Born in Gloucester, Hayes was deeply influenced by the works of Handel, although his own compositions tended towards genres that Handel largely ignored, such as English chamber cantatas and organ-accompanied anthems. His extensive knowledge of Handel's music left a significant mark on his own works, but it did not overshadow his unique musical voice. Hayes served as the Professor of Music at the University of Oxford from 1741 to 1777, where he composed celebratory music for various occasions, solidifying his reputation as a skilled and innovative composer. His contributions to music continue to be celebrated for their depth and creativity, making him a notable figure in the history of classical music.
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