"Surrogate Cities," released in 2000, is a captivating exploration of urban life and its complexities, crafted by the innovative German composer and music theater pioneer, Heiner Goebbels. This avant-garde masterpiece is a collection of five works that delve into the dynamic power and power dynamics of modern cities, offering a unique sonic journey through metropolitan landscapes.
The album features the "Suite for Sampler and Orchestra," a multi-movement work that seamlessly blends Baroque influences with contemporary electronic elements. Each movement is named after a traditional dance form, such as Chaconne, Allemande, and Gavotte, but is reimagined with modern twists, creating a fascinating dialogue between past and present.
Vocal performances by Jocelyn B. Smith and David Moss add a human touch to the orchestral and electronic textures, with their powerful and expressive voices bringing depth and narrative to the compositions. The Junge Deutsche Philharmonie, conducted by Peter Rundel, delivers a stunning orchestral performance, showcasing the intricate and innovative score.
"Surrogate Cities" is not just an album; it's an immersive experience that invites listeners to observe, reflect, and engage with the stories and phenomena of urban life. From the tender and lyrical to the violent and intense, this collection of contradictory compositions offers a rich and thought-provoking exploration of the modern city.
Recorded in Munich and Frankfurt, with engineering by Peter Jütte and production by Heiner Goebbels and Manfred Eicher, "Surrogate Cities" is a testament to the artistic vision and technical prowess of all involved. The album is a significant work in Heiner Goebbels' discography, commissioned to mark the 20th anniversary of the Junge Deutsche Philharmonie and the 1200th anniversary of the city of Frankfurt. It has been praised by critics and audiences alike for its innovative approach and powerful storytelling.
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