heinrich ignaz franz biber: the rosary sonatas - heinrich ignaz franz von biber
Heinrich Ignaz Franz Biber: The Rosary Sonatas
Heinrich Ignaz Franz von Biber
2016
70 tracks
1 uur, 35 min
Album Description
Immerse yourself in the profound and historic masterpiece of Heinrich Ignaz Franz von Biber with his "The Rosary Sonatas." This album, released on September 2, 2016, by Aeolus, is a breathtaking collection of twelve sonatas, each meticulously crafted to reflect significant moments in the life of Jesus Christ. Spanning a duration of 1 hour and 35 minutes, this album is a testament to Biber's genius and his innovative use of scordatura, a technique that involves retuning the strings of the violin to achieve unique tonal effects.
"The Rosary Sonatas" is not just a musical album; it is a journey through the sacred and the profound. Each sonata is a distinct piece of art, from the somber tones of "The Annunciation" in D Minor to the triumphant notes of "The Resurrection" in G Major. The album features a variety of movements, including Preludes, Allemandes, Sarabandes, and Adagios, each contributing to the rich tapestry of sound that Biber weaves throughout the collection.
The album has garnered critical acclaim, with notable reviews praising the performance and the historical significance of the compositions. Nicholas Anderson of BBC Music Magazine awarded the performance four stars, highlighting the memorable and astonishing qualities of these violin sonatas, composed over 300 years ago.
Whether you are a classical music enthusiast or someone seeking to explore the depths of Baroque music, "The Rosary Sonatas" by Heinrich Ignaz Franz von Biber offers an unparalleled experience. The intricate compositions and the skillful execution make this album a timeless treasure in the world of classical music.
2016 Aeolus2016 Aeolus
Tracks
Rosary Sonata No. 1 in D Minor „The Annunciation“, C 90: I. PraeludiumHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 1 in D Minor „The Annunciation“, C 90: II. Variatio Aria allegroHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 1 in D Minor „The Annunciation“, C 90: III. AdagioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 1 in D Minor „The Annunciation“, C 90: IV. [Variatio]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 1 in D Minor „The Annunciation“, C 90: V. FinaleHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 2 in A Major „The Visitation“, C 91: I. SonataHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 2 in A Major „The Visitation“, C 91: II. PrestoHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 2 in A Major „The Visitation“, C 91: III. AllemandeHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 2 in A Major „The Visitation“, C 91: IV. PrestoHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 3 in B Minor „The Nativity“, C 92: I. SonataHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 3 in B Minor „The Nativity“, C 92: II. CourenteHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 3 in B Minor „The Nativity“, C 92: III. DoubleHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 3 in B Minor „The Nativity“, C 92: IV. AdagioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 4 in D Minor „The Presentation of Jesus in the Temple“, C 93: I. CiaconaHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 5 in A Major „The Finding of Jesus in the Temple“, C 94: I. PraeludiumHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 5 in A Major „The Finding of Jesus in the Temple“, C 94: II. AllamandeHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 5 in A Major „The Finding of Jesus in the Temple“, C 94: III. GuigueHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 5 in A Major „The Finding of Jesus in the Temple“, C 94: IV. SarabandeHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 5 in A Major „The Finding of Jesus in the Temple“, C 94: V. DoubleHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 6 in C Minor „The Agony in the Garden“, C 95: I. LamentoHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 6 in C Minor „The Agony in the Garden“, C 95: II. [Sarabande]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 6 in C Minor „The Agony in the Garden“, C 95: III. [Recitativo] - AdagioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 6 in C Minor „The Agony in the Garden“, C 95: IV. AdagioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 6 in C Minor „The Agony in the Garden“, C 95: V. [Marche]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 7 in F Major „The Scourging at the Pillar“, C 96: I. AllemandaHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 7 in F Major „The Scourging at the Pillar“, C 96: II. VariatioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 7 in F Major „The Scourging at the Pillar“, C 96: III. SarabandeHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 7 in F Major „The Scourging at the Pillar“, C 96: IV. VariatioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 7 in F Major „The Scourging at the Pillar“, C 96: V. [Variatio 2]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 7 in F Major „The Scourging at the Pillar“, C 96: VI. [Variatio 3]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 8 in B-Flat Major „The Crowning with Thorns“, C 97: I. SonataHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 8 in B-Flat Major „The Crowning with Thorns“, C 97: II. GuigueHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 8 in B-Flat Major „The Crowning with Thorns“, C 97: III. Double PrestoHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 8 in B-Flat Major „The Crowning with Thorns“, C 97: IV. Double 2Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 9 in A Minor „The Carrying of the Cross“, C 98: I. SonataHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 9 in A Minor „The Carrying of the Cross“, C 98: II. CourenteHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 9 in A Minor „The Carrying of the Cross“, C 98: III. DoubleHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 9 in A Minor „The Carrying of the Cross“, C 98: IV. [Double 2]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 9 in A Minor „The Carrying of the Cross“, C 98: V. FinaleHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: I. PraeludiumHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: II. AriaHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: III. VariatioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: IV. [Variatio 2]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: V. AdagioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: VI. [Variatio 4]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 10 in G Minor „The Crucifixion and Death of Jesus“, C 99: VII. [Variatio 5]Heinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 11 in G Major „The Resurrection“, C 100: I. SonataHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 11 in G Major „The Resurrection“, C 100: II. Surrexit Christus hodieHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 11 in G Major „The Resurrection“, C 100: III. AdagioHeinrich Ignaz Franz von Biber, Hélène Schmitt
Rosary Sonata No. 12 in C Major „The Ascension“, C 101: I. IntradaHeinrich Ignaz Franz von Biber, Hélène Schmitt
Heinrich Ignaz Franz von Biber, born in 1644 in Wartenberg, Bohemia (now Stráž pod Ralskem, Czech Republic), was a virtuoso violinist and composer whose extraordinary talent left an indelible mark on the Baroque era. Renowned for his exceptional skill on the violin, Biber was known to master the instrument up to the seventh position, a feat that set him apart from his contemporaries. His innovative use of scordatura, a technique involving retuning the strings of the violin, added a unique and expressive dimension to his compositions.
Biber's musical journey took him from his humble beginnings to the courts of Graz and Kroměříž, before settling in Salzburg, where he served as the Hofkapellmeister from 1684. His compositions, particularly his violin works, are celebrated for their originality and emotional depth. Among his most famous works are the "Rosary Sonatas," a collection of deeply symbolic and affect-laden pieces that showcase his virtuosity and compositional genius.
Recognized during his lifetime as one of the greatest violinists of his century, Biber's influence extended beyond his performances. His published instrumental music helped spread his reputation far and wide, though his innovative techniques sometimes drew criticism from his peers. Despite this, his legacy endures, and his music continues to captivate audiences with its brilliance and emotional resonance. Biber's contributions to the Baroque repertoire are a testament to his enduring genius and his place as one of the most significant figures in the history of Western music.
Vinylscout
Heinrich Ignaz Franz von Biber
