Hexentrio

Album Description

"Hexentrio" is a captivating journey into the world of free jazz and avant-garde music, brought to you by the masterful trio of Paul Plimley, Barry Guy, and Lucas Niggli. Released on Intakt Records in June 2012, this album is a testament to the power of improvisation and the beauty of spontaneous composition.

The album features seventeen tracks, each offering a unique perspective on the trio's collaborative process. The songs range in length, with some barely a minute long, yet they collectively achieve an extraordinary coherence that keeps the listener engaged from start to finish. The tracks are a blend of intricate melodies, rhythmic complexity, and harmonic innovation, showcasing the individual strengths of each musician while highlighting their collective chemistry.

Paul Plimley's piano playing is a standout feature, with his delicate touch and improvisational prowess adding a layer of depth to the music. Barry Guy's double bass provides a solid foundation, while also contributing to the album's avant-garde sensibilities with his experimental approach. Lucas Niggli's drumming is equally impressive, with his intricate patterns and dynamic playing driving the music forward.

"Hexentrio" is a must-listen for fans of free jazz and avant-garde music, as well as for those who appreciate innovative and challenging music. The album's unique blend of styles and influences makes it a standout release in the genre, and a testament to the power of collaboration and improvisation. So, grab your headphones and prepare to be transported to a world of musical exploration and discovery.

9 jun 2012

2012 Intakt Records

About Paul Plimley

Paul Plimley was a pioneering figure in the Canadian jazz avant-garde, renowned for his virtuosic skills on the piano and vibraphone. Born in 1953, Plimley's musical journey was marked by his deep understanding of both classical music and a wide array of jazz styles. He was particularly celebrated for his interpretations of Ornette Coleman's music, being one of the first pianists to convincingly bring Coleman's innovative compositions to life.

As a co-founder of the New Orchestra Workshop Society, Plimley played a pivotal role in fostering the growth of experimental music in Canada. His collaborations, notably with bassist Lisle Ellis, produced some of the most compelling works in free jazz. Plimley's discography is a testament to his artistic vision, featuring solo works and ensemble pieces that showcase his unique approach to composition and improvisation. Albums like "Ivory Ganesh Meets Doctor Drums" and "Safe Crackers" highlight his ability to create cohesive and engaging musical experiences, even with tracks that vary significantly in length. Plimley's legacy endures as a beacon of creativity and innovation in the world of jazz.