I've Got Your Number

Album Description

Thomas Chapin's "I've Got Your Number" is a captivating journey into the realms of free jazz and avant-garde music, released on January 1, 2006, under Arabesque Recordings. This album, spanning 56 minutes, is a testament to Chapin's virtuosity on the alto saxophone and flute, accompanied by the stellar contributions of Ronnie Mathews on piano, Ray Drummond on bass, Steve Johns on drums, and Louis Bauzo on congas.

The album opens with the title track, "I've Got Your Number," setting the tone for the innovative and exploratory journey that follows. Each of the eight tracks offers a unique blend of improvisational brilliance and compositional depth. "Drinkin'" and "Time Waits" showcase Chapin's ability to weave intricate melodies with rhythmic complexity, while "Moon Ray" and "Don't Look Now" highlight the ensemble's cohesive interplay and harmonic sophistication.

Thomas Chapin's "I've Got Your Number" is not just an album; it's a collection of musical dialogues that push the boundaries of traditional jazz, offering both seasoned jazz enthusiasts and curious listeners a rich and rewarding experience. The album's free jazz and avant-garde elements create a dynamic and engaging soundscape, making it a standout in Chapin's discography and a significant contribution to the genre.

1 januari 2006

About Thomas Chapin

Thomas Chapin was a dynamic and innovative American composer, saxophonist, and multi-instrumentalist whose music traversed the vast landscape of 20th-century creative jazz. Born in Manchester, Connecticut, in 1957, Chapin's journey began with studies under legendary musicians like Lionel Hampton, Jackie McLean, and Kenny Barron. His career spanned from leading Lionel Hampton's band to pioneering the avant-garde jazz scene in New York City, particularly at the iconic Knitting Factory, where he was the first artist signed to Knitting Factory Records.

Primarily known for his alto saxophone prowess, Chapin was also adept at playing sopranino, soprano, tenor, baritone saxes, and flute. His discography, marked by a distinctive blend of modern jazz and avant-garde explorations, often featured his trio with bassist Mario Pavone and drummer Michael Sarin. Chapin's influence extended beyond his performances, as he played a pivotal role in shaping the Knitting Factory scene in the early 1980s. Despite his untimely passing from leukemia at the age of 40, Chapin's legacy endures through his recordings and the indelible mark he left on the jazz world.