"Identity," the 1999 release from Swiss pianist and composer Michel Wintsch, is a captivating journey into the realms of free jazz and avant-garde music. Released on Leo Records, this album is a testament to Wintsch's innovative spirit and his unique approach to musical expression. With a runtime of 58 minutes, "Identity" features a diverse ensemble of musicians, including Marco Von Orelli, Lukas Briggen, and Lukas Roos, who contribute to the album's rich and complex soundscapes.
The album opens with "Choucas," setting the tone for the eclectic mix of tracks that follow. From the hauntingly beautiful "Anne-Marie S" to the chaotic energy of "Holy Mess," each song offers a distinct sonic experience. "For John Coltrane" pays homage to the jazz legend, while "Jeux D'Intervalles" showcases Wintsch's intricate compositional skills. The album concludes with "Driving Home," leaving the listener with a sense of resolution and introspection.
"Identity" is not just an album; it's an exploration of sound, identity, and the boundaries of jazz. Wintsch's bold and unapologetic approach to music-making is evident throughout, making this album a standout in the free jazz and avant-garde genres. Whether you're a seasoned jazz enthusiast or a curious newcomer, "Identity" offers a compelling listen that challenges and delights in equal measure.
Michel Wintsch is a Swiss avant-garde jazz composer and pianist known for his distinctive and personal musical style. Born in Geneva in 1964, Wintsch's journey with music began in childhood, evolving into a lifelong passion and dedication to the craft. His extensive discography spans over fifty albums, showcasing his prowess as a pianist and his innovative approach to composition.
Wintsch has collaborated with renowned musicians such as Franz Koglmann and Gerry Hemingway, with whom he formed the WHO trio in 1998. This trio, completed by bassist Bänz Oester, is celebrated for its unique and idiosyncratic sound. Throughout his career, Wintsch has also worked with various ensembles and solo projects, continually pushing the boundaries of jazz and improvisation.
In addition to his performing and recording work, Wintsch is actively involved in education and musical direction, serving as Musical Director at Shakespeare's Globe and teaching at the Royal Academy of Music. His contributions to film and theater music further highlight his versatility and creative depth. Whether through his solo works or collaborative efforts, Michel Wintsch's music is a testament to his artistic vision and technical mastery.
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