"Imaginary Values," released on January 1, 1994, is a seminal work by the renowned saxophonist Evan Parker, in collaboration with Barry Guy on bass and Paul Lytton on percussion. This album, a cornerstone of the free jazz and avant-garde genres, is a testament to the trio's collective improvisational prowess. Recorded live at the Red Rose Club in London, the nine tracks on "Imaginary Values" are a whirlwind of circular breathing, overblown tones, and intricate textures that showcase Parker's signature style.
The album's title tracklist—"Form," "Content," "Agreement," "Distinction," "Identity," "Value," "Consequence," "Invariance," and "Variance"—reflects the philosophical underpinnings of the music, each piece exploring different aspects of improvisation and musical interaction. Evan Parker's tenor and soprano saxophone work is particularly noteworthy, creating a dizzying array of sounds that are both hypnotic and deeply engaging. Barry Guy's bass and Paul Lytton's percussion provide a dynamic and textured backdrop, making "Imaginary Values" a standout release in the world of avant-garde jazz.
"Imaginary Values" is not just an album but a live document of a performance that captures the raw energy and spontaneity of the trio's playing. The album's compact yet high-voltage improvisations are a testament to the trio's ability to create bright sonic canvases where texture, tone-color, and dynamic flow are major parts of the interactive mix. This album is a essential addition to any jazz enthusiast's collection, offering a unique and captivating listening experience.
Evan Parker is a pioneering British saxophonist renowned for his innovative approach to free improvisation. Born in Bristol in 1944, Parker began playing the saxophone at the age of 14 and has since become a seminal figure in the European free music scene. Known for his distinctive sound and fluid development of multiphonic techniques, Parker has consistently pushed the boundaries of what is possible on the tenor and soprano saxophones. His collaborations, notably with the Spontaneous Music Ensemble and a vast array of percussionists and electronic musicians, have solidified his status as one of the most influential and recognizable artists in avant-garde and free jazz. Parker's music is not just about notes; it's about creating a constantly evolving sonic landscape that challenges and engages the listener.
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