Heinz Holliger, renowned for his virtuosity and innovative spirit, presents "Induuchlen," a captivating journey into the heart of Swiss cultural heritage. Released on June 17, 2011, via ECM New Series, this album is a testament to Holliger's prowess as both a composer and an oboist, showcasing his deep connection to his roots and his ability to translate them into a universal language of music.
"Induuchlen" is a rich tapestry of chamber music, woven with threads of Swiss dialect poetry and traditional melodies. The album opens with the "Toronto-Exercises," a series of pieces that demonstrate Holliger's technical mastery and compositional ingenuity. The heart of the album, however, lies in the "Puneigä" cycle, a suite of songs that explore the changing seasons and the cycle of life, death, and renewal. Each song is a miniature masterpiece, filled with vivid imagery and profound insights.
The album also features the "Induuchlen" suite, a set of pieces inspired by the Swiss landscape and folklore. These pieces, performed by Holliger and the Swiss Chamber Soloists, are a testament to the power of music to evoke a sense of place and time. The album concludes with "Ma'mounia," a piece that reflects Holliger's interest in the music of North Africa, adding a touch of exoticism to the otherwise firmly Swiss album.
Throughout "Induuchlen," Holliger's playing is a marvel of technique and expression. His oboe sings, whispers, and soars, painting a vivid musical landscape that is as varied as it is beautiful. The album is a feast for the ears, a celebration of the power of music to connect us to our past, to our present, and to each other. With a duration of 1 hour and 15 minutes, it's an album that rewards repeated listening, revealing new depths and nuances with each play.