Inter-Action

"Inter-Action," released on January 1, 1965, is a captivating jazz album by the legendary Sonny Stitt. This 35-minute masterpiece is a testament to Stitt's prowess as a bebop and hard bop saxophonist, showcasing his virtuosic skills and deep musicality. The album features a stellar lineup, including the renowned Zoot Sims, adding an extra layer of brilliance to the performances.

The six-track collection spans a variety of jazz styles, from the cool and laid-back to the energetic and upbeat. Standout tracks like "I Want To Go Home" and "Fools Rush In" highlight Stitt's ability to infuse classic tunes with his unique bebop sensibilities. The album's genres range from bebop and hard bop to cool jazz and acid jazz, making it a versatile addition to any jazz enthusiast's collection.

"Inter-Action" is a product of its time, reflecting the vibrant jazz scene of the 1960s. Stitt, who had already established himself on the American jazz scene, brings his signature style to this album, which would later influence the UK jazz funk scene in the mid-70s. The album's release under the GRP label further solidifies its place in jazz history, offering a timeless listening experience that continues to resonate with fans and critics alike.

Sonny Stitt, born Edward Stitt in Boston and raised in Michigan, was a pioneering American jazz saxophonist renowned for his warm, distinctive tone and his mastery of the bebop and hard bop idioms. Nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, Stitt was known for his relentless touring and his preference for working with different musicians, rather than forming a permanent band. Initially, Stitt's style was compared to that of Charlie Parker, but he soon developed his own unique sound, particularly on the tenor saxophone. His extensive discography, featuring over 100 albums, showcases his versatility and innovation. Stitt's career spanned several decades, from establishing himself on the American jazz scene in the 1960s to making a significant impact on the UK jazz funk scene in the mid-1970s. He was also known for his sax duels with contemporaries like Dexter Gordon and Gene Ammons, further cementing his status as one of the finest bebop saxophonists of his era.