Isaac: Missa Paschale

Album Description

Immerse yourself in the sacred and resplendent sounds of the Renaissance with Heinrich Isaac's "Missa Paschale," a masterful choral album that celebrates the spirit of Easter Sunday. Released in 1991 under the Ricercar label, this album is a testament to Isaac's prowess as a composer during the Renaissance period, offering a rich tapestry of polyphonic choral music that resonates with both historical significance and timeless beauty.

"Missa Paschale" features the complete "Missa ad organum for Easter Sunday," a stunning composition that includes all the traditional sections of the Mass: Introitus, Kyrie, Gloria, Graduale, Alleluia, Offertorium, Sanctus, Agnus Dei, Communio, and a concluding Organ Postludium. Each track is meticulously performed, showcasing the intricate harmonies and melodic richness that define Isaac's style.

The album is performed by Cappella Pratensis, a renowned ensemble known for their authentic and historically informed interpretations of Renaissance music. The vocal performances are complemented by organ improvisations in the styles of Paul Hofhaimer and Hans Buchner, adding a layer of depth and authenticity to the recording.

With a duration of 55 minutes, "Missa Paschale" is a comprehensive exploration of Isaac's choral mastery, making it an essential addition to any classical music collection. The Latin texts, drawn from the Gregorian chants prescribed for Easter, are beautifully rendered, offering a profound spiritual experience. Whether you are a seasoned enthusiast of Renaissance music or a newcomer to the genre, this album promises an enriching and enchanting listening experience.

1 jan 1991

1991 Ricercar

About Heinrich Isaac

Heinrich Isaac, a towering figure of the Renaissance, was a Franco-Flemish composer whose music transcended borders and languages. Born around 1450 in the southern Netherlands, Isaac's compositions spanned masses, motets, songs in multiple languages, and instrumental works, reflecting his cosmopolitan career. He served notable patrons such as Lorenzo de' Medici in Florence and Emperor Maximilian I, leaving an indelible mark on the musical landscapes of Italy and Germany. Isaac's contemporaries, including the legendary Josquin des Prez, recognized his genius, and his influence echoed through generations, inspiring composers like Bach and Brahms. His prolific output and innovative use of parody masses, often incorporating unusual themes, cement his status as one of the most significant composers of his time. Isaac's music, with its conservative harmonic idiom and intricate imitative polyphony, offers a rich and rewarding journey through the sonic world of the High Renaissance.