It Don't Mean A Thing If You Can't Tap Your Foot To It

Album Description

"It Don't Mean A Thing If You Can't Tap Your Foot To It" is a vibrant and swinging jazz album by the legendary Milt Jackson, released in January 1984. This album is a testament to Jackson's enduring talent and his ability to captivate audiences with his unique vibraphone style. The album features a stellar quartet lineup, including the incomparable Cedar Walton on piano, Ray Brown on bass, and Mickey Roker on drums, all of whom contribute to the rich, dynamic sound that defines this record.

The album spans a variety of jazz genres, including hard bop, bebop, cool jazz, and jazz blues, showcasing Jackson's versatility and mastery of the genre. With a runtime of just over 40 minutes, the seven-track album is packed with lively performances that highlight Jackson's improvisational skills and the tight chemistry between the quartet members.

The tracklist includes a mix of original compositions and classic jazz standards, such as "It Don't Mean A Thing (If It Ain't Got That Swing)" and "If I Were A Bell." Each song is performed with a sense of joy and energy that is infectious, making this album a delightful addition to any jazz enthusiast's collection. Whether you're a longtime fan of Milt Jackson or a newcomer to his music, this album offers a rich and rewarding listening experience that celebrates the best of jazz.

1 januari 1984

℗ 1990 Pablo Records, Distributed by Concord.

About Milt Jackson

Milt Jackson, affectionately known as "Bags," was a pioneering American jazz vibraphonist whose career spanned over three decades, leaving an indelible mark on the genre. Born into a musical family in Detroit, Jackson's journey began with a deep appreciation for various instruments before settling on the vibraphone, which he mastered with a unique, vocal-like quality. He is best known for his work with the Modern Jazz Quartet, a group he co-founded and with which he achieved international acclaim for their blend of cool jazz and classical influences. However, Jackson's versatility extended far beyond this ensemble. He collaborated with jazz legends such as Dizzy Gillespie, Thelonious Monk, Miles Davis, and John Coltrane, contributing to both hard bop and post-bop movements. His discography is a treasure trove of innovative compositions and electrifying performances, showcasing his virtuosity, taste, and versatility. Jackson's influence as a NEA Jazz Master and a pioneer of bebop and cool jazz continues to inspire musicians and fans alike, making him a true icon in the world of jazz.