Kenny Drew's 1982 album "It Might As Well Be Spring" is a captivating journey through the rich landscapes of hard bop, bebop, and cool jazz. Released on the renowned Italian label Soul Note, this album showcases Drew's mastery of the piano and his ability to blend various jazz styles into a cohesive and engaging collection of tracks.
The album opens with "Yesterdays," setting the tone for a reflective and introspective journey. Drew's virtuosic playing is evident throughout, as he navigates complex melodies and harmonies with ease. "Blues For Nils" pays homage to the blues tradition, while "The Quiet Cathedral" offers a moment of serene beauty. The title track, "It Might As Well Be Spring," is a standout, showcasing Drew's ability to infuse a classic standard with his unique perspective.
Drew's collaboration with bassist Niels-Henning Ørsted Pedersen and drummer Alvin Queen creates a dynamic and interactive rhythm section, adding depth and energy to the album. Their collective chemistry is palpable, making each track a testament to the joy of collective music-making.
"Sun Set" and "Django" offer a nod to the cool jazz and bebop traditions, respectively, while "The Smile Of Tanya" and "Dreams" close the album on a contemplative note. Throughout, Drew's impressive playing is supplemented by the rhythmic interplay of his bandmates, creating a genuine band experience that resonates with each listener.
For fans of Kenny Drew and jazz enthusiasts alike, "It Might As Well Be Spring" is a testament to Drew's enduring legacy and his significant contributions to the jazz genre. The album's 43-minute runtime is filled with moments of brilliance, making it a standout release in Drew's discography and a must-explore for anyone interested in the rich tapestry of jazz music.
Vinylscout