It's Magic

"It's Magic" is a captivating jazz album by the legendary saxophonist Sonny Stitt, released in 2005. Originally recorded in 1969, this album showcases Stitt's virtuosic skills and his deep understanding of the jazz genre. The album features a mix of bebop, hard bop, cool jazz, and acid jazz, providing a rich and diverse listening experience.

Sonny Stitt, known for his ability to play the saxophone with incredible speed and authority, delivers a stunning performance throughout the album. The tracklist includes jazz standards such as "How High The Moon," "Body And Soul," and "They Can't Take That Away From Me," as well as original compositions like "Four" and "Shake Your Head."

The album's duration is a concise 39 minutes, making it a perfect addition to any jazz enthusiast's collection. The organ-trio format, with Stitt on alto and tenor saxophone, Don Patterson on organ, and a rhythm section, creates a warm and inviting sound that is both timeless and innovative.

"it's Magic" is a testament to Sonny Stitt's enduring legacy in the world of jazz. Whether you're a longtime fan of Stitt's work or a newcomer to his music, this album is sure to impress with its technical prowess and musical depth. The album was released by Delmark Records, a label known for its commitment to preserving and promoting jazz music.

Sonny Stitt, born Edward Stitt in Boston and raised in Michigan, was a pioneering American jazz saxophonist renowned for his warm, distinctive tone and his mastery of the bebop and hard bop idioms. Nicknamed the "Lone Wolf" by jazz critic Dan Morgenstern, Stitt was known for his relentless touring and his preference for working with different musicians, rather than forming a permanent band. Initially, Stitt's style was compared to that of Charlie Parker, but he soon developed his own unique sound, particularly on the tenor saxophone. His extensive discography, featuring over 100 albums, showcases his versatility and innovation. Stitt's career spanned several decades, from establishing himself on the American jazz scene in the 1960s to making a significant impact on the UK jazz funk scene in the mid-1970s. He was also known for his sax duels with contemporaries like Dexter Gordon and Gene Ammons, further cementing his status as one of the finest bebop saxophonists of his era.