Japan Suite

Album Description

"Japan Suite," released on January 1, 1977, is a captivating jazz album by the renowned Canadian pianist and free jazz composer Paul Bley. This concise yet powerful record, clocking in at just over 31 minutes, is a testament to Bley's innovative spirit and his mastery of the genre. The album features two extended tracks, "Japan Suite I" and "Japan Suite II," which showcase Bley's unique approach to jazz, blending elements of free jazz, cool jazz, and avant-garde styles.

Recorded during a tour of Japan in 1976, "Japan Suite" captures the essence of Bley's live performances, accompanied by his long-time collaborator, drummer Barry Altschul, and bassist Gary Peacock. The album is a product of Improvising Artists, a label known for its commitment to pushing the boundaries of jazz. The record was manufactured in the US and has since become a notable entry in the catalog of the National Jazz Archive.

"Japan Suite" is a remarkable document of a pivotal moment in Paul Bley's career, offering listeners a chance to experience the raw, improvisatory energy of his performances. The album's contemporary jazz style, characterized by its experimental approach and technical virtuosity, continues to inspire and influence musicians today. Whether you're a seasoned jazz enthusiast or a curious newcomer, "Japan Suite" is an essential addition to any jazz collection.

1 januari 1977

(P) 1977 Improvising Artists aka IAI Records

About Paul Bley

Paul Bley, a pioneering Canadian jazz pianist, left an indelible mark on the music world with his deeply original and aggressive approach to free jazz. Born in Montreal in 1932, Bley's career spanned over six decades, during which he collaborated with some of the most influential musicians of the 20th century, including Charlie Parker, Ornette Coleman, and Sonny Rollins. His innovative work with synthesizers in the 1960s further cemented his status as a forward-thinking artist. Bley's discography is a testament to his prolific output and enduring influence, from his early recordings in the 1950s to his solo piano works in the 2000s. His music, characterized by its spacious, restrained lyricism, continues to inspire and challenge listeners, making him one of the greatest pianists in the history of jazz.