Japanese Noise Machine Assimilation

Electronic Dance Music's "Japanese Noise Machine Assimilation" is a captivating journey through the fusion of traditional rock instrumentation and electronic sounds, creating a unique sonic experience that defies conventional genres. Released on June 11, 2017, under the Llort Jr. label, this album spans a dynamic 77 minutes, offering a diverse tracklist that includes reimagined classics like "Beat It," "Don't Stop Believing," and "Wheel in the Sky," alongside original compositions such as "Princess Diana of Themyscira" and "Hyperdrive 55."

The album is a testament to the band's innovative approach, blending the raw energy of rock with the experimental textures of electronic dance music. Tracks like "Scream" and "Somebody's Watchin Me - I Got A Feelin'" showcase the band's ability to incorporate electronic sounds seamlessly, while "Ben Kenobi - Itsy Bitsy Spider from Mars Mix" and "Love Comes Walking In - dreams are strange Mix" highlight their playful and eclectic sensibilities.

Influenced by the avant-garde techniques of composers like Lutoslawski and the noise artistry of Merzbow, Electronic Dance Music crafts a sound that is both chaotic and controlled, pushing the boundaries of what is expected from a rock-electronic fusion. The album's unique sonic signature is further enhanced by the band's incorporation of feedback, distorted sounds, and other unconventional elements, creating a listening experience that is as intellectually stimulating as it is aurally engaging.

"Japanese Noise Machine Assimilation" is not just an album; it's a sonic exploration that challenges listeners to reconsider the boundaries between genres and the very nature of music itself. Whether you're a fan of rock, electronic dance music, or simply appreciate innovative soundscapes, this album offers a fresh and exciting listening experience that is sure to leave a lasting impression.